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Fantasia and Sonata

with the earlier versions of the Adagio according th the autograph. Edited from the autograph, the original edition and further early sources
Urtext
piano
Product number: UT50228
Edition: Urtext
€13.95
Incl. Tax, Excl. Shipping
Product Type
Print edition
Title is available

Product Details

Description

Die Neuausgabe der Wiener Urtext Edition von Mozarts bedeutender Fantasie und Sonate in c-Moll KV 475/457 basiert auf der Erstausgabe und auf dem erst seit wenigen Jahren wieder zugänglichen Autograph; weitere Frühdrucke wurden vergleichend herangezogen. Mozart hat das Werk für die Drucklegung revidiert und genau mit Vortragsbezeichnungen versehen. Die Neuausgabe ermöglicht die Wiedergabe beider Fassungen, wobei hier erstmals auch der langsame Satz in der unverzierten Fassung des Autographs als Anhang zum Abdruck kommt. Der Vergleich der ursprünglichen mit der zum Druck bestimmten Fassung gestattet tiefe Einblicke in die Aufführungspraxis Mozarts und seiner Zeit.

More Information

Title:
Fantasia and Sonata
with the earlier versions of the Adagio according th the autograph. Edited from the autograph, the original edition and further early sources
Urtext
Edition:
Urtext
Level of difficulty:
advanced
Publisher/Label:
Wiener Urtext Edition
Directory:
KV 475/457
Key:
c-Moll
Series:

Technical Details

Media Type:
Sheet music
Product number:
UT50228
ISMN13:
979-0-50057-269-5
ISBN13:
978-3-85055-586-9
Weight:
0,19 kg
Pages:
42
Binding:
Saddle-wire stitching
Manufacturer:
Universal Edition AG
1010 Wien
Austria

Preview/Media Contents

Video:
Fantasie

More from this series

Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

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