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Dreams of Love

Edited from the sources by Jochen Reutter
Preface and Notes on Interpretation by Christian Ubber
piano
Product number: UT50164
Edition: Urtext
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Product Type
Print edition
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Product Details

Description

Originally designed for voice and piano, Franz Liszt's 'Liebesträume' were published in 1850 as lieder and solo piano works at the same time. It is the latter ones that have become famous, particularly 'Love Dream No. 3' which was to become one of the most popular pieces of the Romantic piano literature. Existing autograph sketches are of only little significance to the final form of the works; the complete autograph is privately owned and not accessible. This is why the new edition of Wiener Urtext Edition basically follows the first edition of 1850 with its highly reliable text but not the second publication of the original publisher which is sometimes mistaken for the first one, as the first edition of the second publication contains more mistakes than the edition of 1850. The present edition is completed by a clear notation and convenient page turns as well as informative commentaries of the Liszt expert Christian Ubber.

Content

Preface
Notes on Interpretation
Facsimile
Liebestraum I
Liebestraum II
Liebestraum III
Critical Notes

More Information

Title:
Dreams of Love
Edited from the sources by Jochen Reutter
Preface and Notes on Interpretation by Christian Ubber
Fingerings by Pavel Gillov
Urtext
Edition:
Urtext
Level of difficulty:
advanced
Publisher/Label:
Wiener Urtext Edition
Series:

Technical Details

Media Type:
Sheet music
Product number:
UT50164
ISMN13:
979-0-50057-134-6
ISBN13:
978-3-85055-711-5
UPC:
800522002717
Weight:
0,15 kg
Pages:
36
Format:
23.1cm x 30.3cm
Binding:
Saddle-wire stitching
Manufacturer:
Universal Edition AG
1010 Wien
Austria

More from this series

Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

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