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Davidsbündlertänze

Edited from the sources
Urtext
piano
Product number: UT50098
Edition: Urtext
€14.50
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Product Type
Print edition
Title is available

Product Details

Description

Schumanns Davidsbündlertänze Op. 6 entstanden im Jahre 1837. Der titelgebende Davidsbund, benannt nach dem Schutzpatron der Musik, dem biblischen Philisterschreck und königlichen Sänger, ist als romantisch-literarische Inszenierung aufzufassen, bei der ebenso dichterische Vorbilder wie wirklich künstlerische oder politische Verbindungen der Vormärzzeit Pate gestanden haben.  Die Davidsbündlertänze sind ein Zyklus von zweimal neun Stücken, in denen die Traditionen der Suite und des Variationszyklus fortwirken.  Die Ausgabe beruht auf der von Schumann selbst redigierten Zweitauflage, wobei musikalisch bedeutsame Abweichungen der Erstfassung zusätzlich im Kleinstich abgedruckt sind.

More Information

Title:
Davidsbündlertänze
Edited from the sources
Urtext
Edition:
Urtext
Level of difficulty:
difficult
Publisher/Label:
Wiener Urtext Edition
Opus:
op. 6
Series:

Technical Details

Media Type:
Sheet music
Product number:
UT50098
ISMN13:
979-0-50057-097-4
ISBN13:
978-3-85055-093-2
Weight:
0,28 kg
Pages:
72
Binding:
Saddle-wire stitching
Manufacturer:
Universal Edition AG
1010 Wien
Austria

More from this series

Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

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