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Chromatic Fantasy and Fugue

Edited from the sources
Urtext
piano
Product number: UT50161
Edition: Urtext
€10.95
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Product Type
Print edition
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Product Details

Description

This new Wiener Urtext Edition presents Bach's Chromatic Fantasy not just in the traditional form but contains two additional versions, one late and one early. The early version is based on sources previously ignored and the late version is thought to be probably a late revision by Bach himself. The introduction and critical commentary give a detailed history and further background detail. The performance notes provide information for stylistically correct interpretation on the harpsichord as well as on the piano.

Content

Preface
Notes on Interpretation
Realization of the Arpeggios
Chromatische Fantasie und Fuge (Hauptfassung BWV 903)
Anhang 1: Chromatische Fantasie (Frühfassung BWV 903a)
Faksimile
Anhang 2: Chromatische Fantasie (Forkel-Überlieferung)
Critical Notes
Sources
Detailed Notes

More Information

Title:
Chromatic Fantasy and Fugue
Edited from the sources
Urtext
Edition:
Urtext
Level of difficulty:
advanced
Publisher/Label:
Wiener Urtext Edition
Directory:
BWV 903
Series:

Technical Details

Media Type:
Sheet music
Product number:
UT50161
ISMN13:
979-0-50057-191-9
ISBN13:
978-3-85055-597-5
Weight:
0,19 kg
Pages:
48
Format:
23.1cm x 30.3cm
Binding:
Saddle-wire stitching
Manufacturer:
Universal Edition AG
1010 Wien
Austria

More from this series

Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

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