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Carnaval

Edited from the sources by Michael Beiche
Fingerings and Notes on interpretation by Tobias Koch
piano
Product number: UT50206
Edition: urtext edition
€14.95
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Product Type
Print edition
Title is available

Product Details

Description

Along with the Papillons, the Davidsbündlertänze and the Kreisleriana, Robert Schumann’s Carnaval op. 9 is one of the composer’s most important piano cycles. Similar to the Faschingsschwank from Vienna op. 26, the individual character pieces refer to carnivalesque scenes of a masked ball, attended not only by the composer himself (under the pseudonyms Florestan and Eusebius), but also by other representatives of his field such as Frédéric Chopin and Niccolò Paganini as well as his later wife Clara (as Chiarina) take part. The new edition is based on the Urtext of the New Schumann Complete Edition. In the absence of manuscript sources (with the exception of sketches), the edition can essentially only be based on the German first edition; the incomplete French first edition was used for a critical comparison. The notes on interpretation take into account the instruments of Schumann’s time as well as historical sources on performance practice.

More Information

Title:
Carnaval
Edited from the sources by Michael Beiche
Fingerings and Notes on interpretation by Tobias Koch
New Edition of the Complete Works
Language:
German, English
Edition:
urtext edition
Level of difficulty:
difficult
Publisher/Label:
Wiener Urtext Edition
Opus:
op. 9
Series:

Technical Details

Media Type:
Sheet music
Product number:
UT50206
ISMN13:
979-0-50057-434-7
ISBN13:
978-3-85055-813-6
Weight:
0,28 kg
Pages:
64
Format:
23.1cm x 30.3cm
Binding:
Paperback/Softcover
Manufacturer:
Universal Edition AG
1010 Wien
Austria

More from this series

Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

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