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51 Exercises for the Pianoforte

with 30 further Exercises, most of which published for the first time
Urtext
Die "51 Übungen für das Pianoforte" wurden von Brahms 1893 veröffentlicht. Seitdem gelten sie als Schlüssel zur Entwicklung einer geschmeidigen Klaviertechnik, die in idealer Weise auf das Spiel der Brahmsschen Klavierwerke zugeschnitten ist - und nicht nur darauf: Diese intelligenten Übungen gehören für viele Pianisten in einem allgemeineren Sinne zum "täglichen Brot".
Product number: UT50231
Edition: Urtext
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Product Type
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Product Details

Description

These 51 exercises “for the Pianoforte” were published in 1893 by Brahms. Ever since they have been regarded as key exercises, custom made for
developing the smooth pianistic technique that is an essential requirement for a successful performance of Brahms’s and others piano works. For many pianists these intelligent exercises have become an indispensable part of their daily routine. In addition to the well-known exercises, there is an appendix with a further 29 studies few of which have been published before. This volume in the Wiener Urtext Edition therefore represents a significant addition to the canon of exercises for the more ambitious pianist. Peter Rogenkamp’s notes supply information and suggestions for the most beneficial use of the studies in teaching and daily practice.

More Information

Title:
51 Exercises for the Pianoforte
with 30 further Exercises, most of which published for the first time
Urtext
Edition:
Urtext
Level of difficulty:
difficult
Publisher/Label:
Wiener Urtext Edition
Directory:
WoO 6
Series:

Technical Details

Media Type:
Sheet music
Product number:
UT50231
ISMN13:
979-0-50057-254-1
ISBN13:
978-3-85055-557-9
UPC:
800522001482
Weight:
1 kg
Pages:
112
Format:
23.1cm x 30.3cm
Binding:
Paperback/Softcover
Manufacturer:
Universal Edition AG
1010 Wien
Austria

More from this series

Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

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