Lieferzeit
2-3 Tage
Matériel en location / d'exécution
Zaïde / Adama
Fragments
Version with choir by Chaya Czernowin and Ludger Engels
In the year 1779 Mozarts Zaïde, which exists only as a fragment, posed the question about the possibilities of a dialogue between the Occident and the Orient. This Singspiel is a kind of tragic version of Die Entführung aus dem Serail which has a happy and merciful ending and once again invokes the spirit of the Enlightenment. Adama is not the completion of the Mozart fragment and the overall project Zaïde / Adama is not a closed entirety. Through Adama it is much more a matter of trying to find corresponding and contradictory features in an incomplete historical work. The various musical spheres are interwoven and enter a dialogue.
Edition: Matériel d'exécution
Détails du produit
Description
In the year 1779 Mozarts Zaïde posed the question about the possibilities of a dialogue between the Occident and the Orient. This Singspiel is a kind of tragic version of Die Entführung aus dem Serail which has a happy and merciful ending and once again emphatically invokes the spirit of the Enlightenment. Zaïde was never completed and exists only as a fragment. The overture, the dialogues and the finale are all missing and the outcome of the story remains unclear.
The Israeli composer Chaya Czernowin has reacted to this. In her work Adama(Hebrew: adama = earth, adam = man, dam = blood) she composes an independent musical sound space and regards the subject from a contemporary perspective. Whereas Zaïde describes the conflict between the civilisations using the story of a European couple who are in love and who are held in slavery in an alien Oriental country, the situation as described by Czernowin is intensified, touches on the question of freedom and imprisonment from a different dimension. The lovers themselves speak two languages and encounter each other as foreigners, as a man from Palestine and an Israeli woman.
Adama is therefore not the completion of a Mozart fragment and the overall project Zaïde / Adama is not a closed entirety. Through Adama it is much more a matter of trying to find corresponding and contradictory features in an incomplete historical work. The various musical spheres are interwoven and enter a dialogue. This interplay of sound opens up the possibility of hearing each different musical cosmos with purified ears and of perhaps discovering unforeseen common features.
- Abridged from the Salzburg Festival programme
The Israeli composer Chaya Czernowin has reacted to this. In her work Adama(Hebrew: adama = earth, adam = man, dam = blood) she composes an independent musical sound space and regards the subject from a contemporary perspective. Whereas Zaïde describes the conflict between the civilisations using the story of a European couple who are in love and who are held in slavery in an alien Oriental country, the situation as described by Czernowin is intensified, touches on the question of freedom and imprisonment from a different dimension. The lovers themselves speak two languages and encounter each other as foreigners, as a man from Palestine and an Israeli woman.
Adama is therefore not the completion of a Mozart fragment and the overall project Zaïde / Adama is not a closed entirety. Through Adama it is much more a matter of trying to find corresponding and contradictory features in an incomplete historical work. The various musical spheres are interwoven and enter a dialogue. This interplay of sound opens up the possibility of hearing each different musical cosmos with purified ears and of perhaps discovering unforeseen common features.
- Abridged from the Salzburg Festival programme
Orchestral Cast
Gesamtbesetzung: 3 (3. auch Picc. und Bassfl.) · 2 · 2 (beide auch Es-Klar. u. Bassklar.) · 2 - 2 · 2 · 1 (auch Basspos.) · 0 - P. S. (2 Spieler) - Str.
Besetzung getrennt: Zaïde (Mozart): 2 · 2 · 0 · 2 - 2 · 2 · 0 · 0 - P. - Str.; Adama (Czernowin) (zweiter Dirigent erforderlich): 1 (auch Picc. u. Bassfl.) · 0 · 2 (beide auch Es-Klar. u. Bassklar.) · 0 - 0 · 0 · 1 (auch Basspos.) · 0 - S. (gr. Shaker · Sandpapierbl. · Rain Stick · gr. Eimer mit Steinen · Holzbl. · Tempelbl. · gr. Tr. · Notenständer mit Sperrholz · Crot. · Marimba. · Ratsche · Kamm · Superball · Tomt. · 2 kl. Tr. · 4 versch. Tr. · 2 Donnerbleche · Holzkiste · gr. Mil. Tr. · Cong. · 2 Plastikflaschen · 2 Guiros · 2 Mar. · hg. Beck. · Ocean Drum · Almgl. · Bong.) (2 Spieler) - Str. (1 · 0 · 1 · 2 · 2)
Besetzung getrennt: Zaïde (Mozart): 2 · 2 · 0 · 2 - 2 · 2 · 0 · 0 - P. - Str.; Adama (Czernowin) (zweiter Dirigent erforderlich): 1 (auch Picc. u. Bassfl.) · 0 · 2 (beide auch Es-Klar. u. Bassklar.) · 0 - 0 · 0 · 1 (auch Basspos.) · 0 - S. (gr. Shaker · Sandpapierbl. · Rain Stick · gr. Eimer mit Steinen · Holzbl. · Tempelbl. · gr. Tr. · Notenständer mit Sperrholz · Crot. · Marimba. · Ratsche · Kamm · Superball · Tomt. · 2 kl. Tr. · 4 versch. Tr. · 2 Donnerbleche · Holzkiste · gr. Mil. Tr. · Cong. · 2 Plastikflaschen · 2 Guiros · 2 Mar. · hg. Beck. · Ocean Drum · Almgl. · Bong.) (2 Spieler) - Str. (1 · 0 · 1 · 2 · 2)
Programmation des personnes
Zaïde (Mozart): Zaïde · Sopran - Gomatz · Tenor - Allazim · Bass - Sultan Soliman · Tenor - Osmin · Bass - 4 Sklaven · 4 Tenöre - Zaram, Oberster der Leibwache · Sprecher - Leibwache · Tenöre, Bässe -
Adama (Czernowin): Frau · tiefer Alt - Mann · Bariton - Vater · Bass - 5 gemischte Männerstimmen (alle "Adama"-SängerInnen werden äußerst subtil elektronisch verstärkt)
Adama (Czernowin): Frau · tiefer Alt - Mann · Bariton - Vater · Bass - 5 gemischte Männerstimmen (alle "Adama"-SängerInnen werden äußerst subtil elektronisch verstärkt)
Plus d'infos
Titre:
Zaïde / Adama
Fragments
Version with choir by Chaya Czernowin and Ludger Engels
Langue:
Allemand, Arabe, Hébreu
Edition:
Matériel d'exécution
Maison d'édition:
Schott Music
Year of composition:
2004 - 2005 (2016)
Durée:
130 ′
Première:
16 juin 2017 · Freiburg (D)
Theater
Musikalische Leitung: Daniel Carter; Johannes Knapp
Inszenierung: Ludger Engels · Kostüme: Ric Schachtebeck · Bühnenbild: Ric Schachtebeck
(scenic)
Theater
Musikalische Leitung: Daniel Carter; Johannes Knapp
Inszenierung: Ludger Engels · Kostüme: Ric Schachtebeck · Bühnenbild: Ric Schachtebeck
(scenic)
Travaux commandés :
Auftragswerk des Theaters Freiburg
Détails techniques
Numéro du produit:
LS 5053-02
représentations
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