The Art of Playing the Violoncello

I. Glissando with the Same Finger on One String
1. Audible Glissando
a) with one bow-stroke
b) Simultaneous Action (Glissando and bowstroke)
2. Inaudible Glissando
II. Glissando with Different Fingers on One String
A) Upward Movement (from lower to higher notes)
1. When the Starting Finger is Lower than the Objective Finger
2. When the Starting Finger is Higher than the Objective Finger
B) Downwards Glissando (from higher to lower notes)
1. When the Starting Finger is Lower than the Objective Finger
2. When the Starting Finger is Higher than the Objective Finger
C) Glissando in Combination with an Open String
1. Upward Glissando
2. Downward Glissando
III. Glissando with the Same Finger on Two Strings
A) Upward Glissando
1. From a Lower to a Higher string
2. From a Higher to a Lower note
B) Downward Glissando
1. From a Higher to a Lower String
2. From a Lower to a Higher String
IV. Glissando with Different Fingers on Two Strings
Position Changing in Combination with an Open String
Mixed Exercises
Positions
Harmonics
Fermata
Different Fingers for One Note
Rhythmical Combinations
Substitution or Exchange of finger
Changing Fingers on Two Strings
Changing Fingers on Three Strings
Exercises to Increase Surety
Exercises for Stretching the Fingers
Positions
Irregular Time-signatures 5/4 and 5/8 time
7/4 and 7/8 time
Exercises to Increase Surety
Pizzicato
Playing of Scales
Preparatory Exercises for Scales in the Lower Half of the Fingerboard
Different Kinds of Bowing for Scales
Preparatory Exercises for Thirds
Different Kinds of Bowing for Thirds
Broken Triads
Broken Triads in Double Stops
Broken Chords (four notes)
Fundamental Position
First Inversion
Second Inversion
Third Inversion
Chord of the Diminished Seventh
A Guide for Study