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Trockne Blumen

from "Die schöne Müllerin" Introduction and Variations
Edited from the autograph and the first edition
flute and piano
Product number: UT50087
Edition: Urtext
€17.95
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Product Type
Print edition
Title is available

Product Details

Description

Die großen Komponisten der Romantik haben das Flötenrepertoire nur spärlich bereichert. Umso gewichtiger erscheinen Franz Schuberts Introduktion und Variationen über" Trockne Blumen" aus dem Liederzyklus "Die schöne Müllerin" für Flöte und Klavier. Die Ausgabe der Wiener Urtext Edition folgt dem Autograph des erst nach dem Tod Schuberts gedruckten Werkes. Sie veröffentlicht zudem die vom Komponisten tiefgreifend umgearbeitete Variation 5 nicht nur in ihrer endgültigen, sondern auch in ihrer hoch virtuosen ersten Fassung. Das klare, übersichtliche Notenbild ist auf praktikable Wendestellen bin konzipiert.

More Information

Title:
Trockne Blumen
from "Die schöne Müllerin" Introduction and Variations
Edited from the autograph and the first edition
Urtext
Edition:
Urtext
Level of difficulty:
difficult
Publisher/Label:
Wiener Urtext Edition
Opus:
Op. posth. 160
Directory:
D 802
Series:

Technical Details

Media Type:
Sheet music
Product number:
UT50087
ISMN13:
979-0-50057-086-8
ISBN13:
978-3-85055-084-0
Weight:
0,19 kg
Pages:
36
Binding:
Paperback/Softcover
Manufacturer:
Universal Edition AG
1010 Wien
Austria

More from this series

Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

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