• Joy of Music – Over 250 years of quality, innovation, and tradition
Lieferzeit
2-3 Tage
Product number: UT50299
Edition: Urtext
€14.95
Incl. Tax, Excl. Shipping
Product Type
Print edition
Title is available

Product Details

Description

Mozart's three popular rondos, created in Vienna in the mid-1780s, are a many-faceted addition to his piano sonatas. These rondos include the rather easy-to-play Rondo in D major KV 485 and the pensive Rondo in A minor KV 511. The volume is completed by the Rondo in F major KV 494 which was later included by Mozart in his Sonata KV 533 as final movement. In the charming version of an individual piece, the work is somewhat easier to play than the sonata version; thus, it will be a valuable addition to music lessons. The musical text is based not only on the first editions, but also on Mozart's autographs which are extant of all three pieces.

Content

Rondo D-Dur KV 485 - Rondo F-Dur KV 494
Rondo a-Moll KV 511

More Information

Title:
The three Rondos
Edition:
Urtext
Level of difficulty:
easy - advanced
Publisher/Label:
Wiener Urtext Edition
Directory:
KV 485, 494 & 511
Series:

Technical Details

Media Type:
Sheet music
Product number:
UT50299
ISMN13:
979-0-50057-375-3
ISBN13:
978-3-85055-754-2
UPC:
800522003127
Weight:
0,14 kg
Pages:
32
Format:
23.1cm x 30.3cm
Binding:
Saddle-wire stitching
Manufacturer:
Universal Edition AG
1010 Wien
Austria

More from this series

Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

Reviews

Be the first to review this product.