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The Seven Deadly Sins
Ballet Chanté
Text by Bertolt Brecht
Edition: Performance material
Series:
Die sieben Todsünden
Product Details
Description
The sisters Anna 1 and Anna 2 are sent on a seven-year journey to various North American cities by their family to earn money for ‘a small house near the Mississippi’. During their journey, they are tempted by the seven biblical deadly sins. Gradually, they give up their dreams and ideals eventually to return to Louisiana to their family, completely disillusioned.
Kurt Weill composed the ballet chanté Die sieben Todsünden, based on a text by Bertolt Brecht, in 1933 in his Paris exile. Premièred in the ballet version of Georges Balanchine at the Théâtre des Champs-Élysées on 7 June 1933, it quickly became one of his best-known works. The music plays with popular American music styles of the twenties such as tango, foxtrot, polka or barbershop. Weill and Brecht perfectly ironize the petty bourgeois double standards of each society willing to sacrifice their values for the sake of financial gain.
Kurt Weill composed the ballet chanté Die sieben Todsünden, based on a text by Bertolt Brecht, in 1933 in his Paris exile. Premièred in the ballet version of Georges Balanchine at the Théâtre des Champs-Élysées on 7 June 1933, it quickly became one of his best-known works. The music plays with popular American music styles of the twenties such as tango, foxtrot, polka or barbershop. Weill and Brecht perfectly ironize the petty bourgeois double standards of each society willing to sacrifice their values for the sake of financial gain.
Orchestral Cast
2 (auch Picc.) · 1 · 2 · 1 - 2 · 2 · 1 · 1 - 4 P. S. (Gong · Beck. · 3 Tomt. · gr. Tr.) (2 Spieler) - Banjo (auch Git.) · Hfe. · Klav. - Str.
Content
I Prolog
II Faulheit
III Stolz
IV Zorn
V Völlerei
VI Unzucht
VII Habsucht
VIII Neid
IX Epilog
II Faulheit
III Stolz
IV Zorn
V Völlerei
VI Unzucht
VII Habsucht
VIII Neid
IX Epilog
Cast
Anna I · Sopran - Anna II · Tänzerin - Die Familie: Tenor I, II, Bariton, Bass (die Mutter)
[Die transponierten Gesänge für tiefe Frauenstimme erschienen als Anhang zur Neuausgabe.]
[Die transponierten Gesänge für tiefe Frauenstimme erschienen als Anhang zur Neuausgabe.]
More Information
Title:
The Seven Deadly Sins
Ballet Chanté
Text by Bertolt Brecht
English by W. H. Auden and Chester Kallman
New edition of the original version
Language:
German, English
Edition:
Performance material
Publisher/Label:
Schott Music
Year of composition:
1933
Duration:
35 ′0 ′′
World Premiere:
June 7, 1933 · Paris (F)
Théâtre des Champs-Élysées
Conductor: Maurice Abravanel
Costumes: Caspar Neher · Set design: Caspar Neher · Choreography: George Balanchine
Théâtre des Champs-Élysées
Conductor: Maurice Abravanel
Costumes: Caspar Neher · Set design: Caspar Neher · Choreography: George Balanchine
Series:
Technical Details
Media Type:
Hire/performance material
Product number:
LS 4213-01
Delivery rights:
Worldwide
Manufacturer:
More from this series
Die sieben Todsünden
Performances
The Seven Deadly Sins
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Conductor: Valery Platonov
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Perm (Russia) , Perm Opera and Ballet Theatre
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Conductor: Valery Platonov
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Bergen (Norway) , Grieghallen
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Le IIIe Reich et la musique
Conductor: Kirill Karabits
Orchestra: Orchestre Philharmonique de Radio France
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Conductor: Anne Randine Øverby
October 7, 2004 |
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October 6, 2004 |
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Conductor: Yakov Kreizberg
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Conductor: James Holmes
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Orchestra: Opera North
June 25, 2004 |
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June 24, 2004 |
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June 24, 2004 |
London (United Kingdom of Great Britain and Northern Ireland) , Sadler's Wells
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Milwaukee (WI) (United States of America) , Uihlein Hall (MCPA)
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Conductor: Andreas Delfs
Orchestra: Milwaukee Symphony Orchestra
June 19, 2004 |
Milwaukee (WI) (United States of America) , Uihlein Hall (MCPA)
The Seven Deadly Sins
Conductor: Andreas Delfs
Orchestra: Milwaukee Symphony Orchestra
June 18, 2004 |
Milwaukee (WI) (United States of America) , Uihlein Hall (MCPA)
The Seven Deadly Sins
Conductor: James Holmes
June 18, 2004 |
Nottingham (United Kingdom of Great Britain and Northern Ireland) , Theatre Royal
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Orchestra: Opera North
June 18, 2004 |
Nottingham (United Kingdom of Great Britain and Northern Ireland) , Theatre Royal
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Conductor: James Holmes
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