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Speaking Drums
Four poems for percussion solo and orchestra
Texts by Sándor Weöres and Jayadeva
percussion and orchestra
Product Details
Description
'Talking whilst playing the drum is not something unique. We can find it in traditional Indian percussion, and in jazz when musicians accompany their play with 'Sprechgesang'. This piece goes the opposite way: It begins with the percussionist speaking nonsensically, the emphasis on the rhythm, which he then passes on to his instrument. Like the pure, childish joy of repeating the same word in a different tune, the soloist teaches his instrument to speak until the drums start to talk themselves.
Several poems form the basis; in the first two movements it are three poems by Sándor Weöres, and in the third movement it is a poem by Jayadeva. Each sentence has a more complex form than the one before. Rhythms form words, words form sentences, and sentences create a narrative.' (Ann-yi Bingöl)
Several poems form the basis; in the first two movements it are three poems by Sándor Weöres, and in the third movement it is a poem by Jayadeva. Each sentence has a more complex form than the one before. Rhythms form words, words form sentences, and sentences create a narrative.' (Ann-yi Bingöl)
Orchestral Cast
2 (2. auch Picc.) · 1 (auch Engl. Hr.) · 1 · Bassklar. · 1 - 2 · 1 · 1 · 0 - 2 (2. auch Picc.) · 1 (auch Engl. Hr.) · 1 · Bassklar. · 1 – 2 · 1 · 1 · 0 – S. (I: Glsp. · Crot. · Vibr. · 3 Beck. · Nietenbeck. · 5 Kuhgl. · 2 Bong. · Vibraslap · Grelots · 2 Kieselsteine; II: Vibr. [von Spieler 1] · Trgl. · 5 Gong · Tamt. [t.] · Schellen-Tamb. · 2 Bong. · gr. Tr. · Vibraslap · 2 hg. koreanische Steinplatten) (2 Spieler) – Hfe. · Cel. – Str. (6 · 6 · 6 · 4 · 2) - Hfe. · Cel. - Str. (6 · 6 · 6 · 4 · 2) -
S. solo (Bassp. · Marimba · Röhrengl. · Cowbell · Trgl. · 8 Beck. · kl. Crash-Beck. · gr. chin. Beck. mit Filzgleitern · 3 kl. Flachgongs · 2 Tamt. · kl. Tr. · Feldtr. · 4 Tomt. · 5-6 gr. Holztr. [Mokugyo oder Salatschüssel] · Hi-Hat · 2 Woodbl. · 2 Löwengebrüll · 4 frei wählbare Instrumente: z.B. Tomt. · Tamt. · Operngong · Beckenplatte [Der Solist rezitiert auch Laut-Gedichte von Sándor Weöres und Jayadeva.])
S. solo (Bassp. · Marimba · Röhrengl. · Cowbell · Trgl. · 8 Beck. · kl. Crash-Beck. · gr. chin. Beck. mit Filzgleitern · 3 kl. Flachgongs · 2 Tamt. · kl. Tr. · Feldtr. · 4 Tomt. · 5-6 gr. Holztr. [Mokugyo oder Salatschüssel] · Hi-Hat · 2 Woodbl. · 2 Löwengebrüll · 4 frei wählbare Instrumente: z.B. Tomt. · Tamt. · Operngong · Beckenplatte [Der Solist rezitiert auch Laut-Gedichte von Sándor Weöres und Jayadeva.])
Content
I Tanzlied/Dance Song
II Nonsense Songs
III (Passacaglia: Intrada, Saltarello, Bourrée, Passepied, Gigue, Allemande, Finale)
II Nonsense Songs
III (Passacaglia: Intrada, Saltarello, Bourrée, Passepied, Gigue, Allemande, Finale)
More Information
Title:
Speaking Drums
Four poems for percussion solo and orchestra
Texts by Sándor Weöres and Jayadeva
Language:
Artificial language
Edition:
Performance material
Publisher/Label:
Schott Music
Year of composition:
2012 (2013)
Duration:
20 ′
World Premiere:
September 29, 2013 · Monte Carlo (MC)
Auditorium Rainier III
Daniel Ciampolini, Percussion · Conductor: Andrey Boreyko · Orchestre Philharmonique de Monte Carlo
Auditorium Rainier III
Daniel Ciampolini, Percussion · Conductor: Andrey Boreyko · Orchestre Philharmonique de Monte Carlo
Commissioned work :
Commissioned by the Fondation Prince Pierre de Monaco
Series:
Technical Details
Media Type:
Hire/performance material
Product number:
LS 5387-01
Delivery rights:
Worldwide
Preview/Media Contents
Audio:
Video:
Peter Eötvös: Speaking Drums (Martin Grubinger, hr-Sinfonieorchester, Vasily Petrenko)
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