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Sonatina G Major

Edited from sketches, autograph and first edition
Urtext
violin and piano
Product number: UT50162
Edition: Urtext
€14.50
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Product Type
Print edition
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Product Details

Description

The sonatina op. 100, written during Dvorák's stay in the USA in 1893, is dedicated to his six children. On January 2, 1894, the composer wrote to his publisher Simrock: "Thank God, I am healthy and well, having just completed my 100th work, a sonatina for violin and piano. It is intended for the youth (dedicated to my children), but grown-ups, adults, shall enjoy themselves with it as they see fit." Inspired by the fascinating landscape of Northern America and by meetings with the native Indian inhabitants, a wealth of impressions has found its way into the movements of this sonatina. And that, accordingly, makes it a part of the teaching canon that is not only useful, but also very attractive.

Content

Vorwort
Zu den Fingersätzen
Sonatine für Violine und Klavier, op. 100: Allegro risoluto
Larghetto
Scherzo. Molto vivace
Finale. Allegro molto
Kritische Anmerkungen

More Information

Title:
Sonatina G Major
Edited from sketches, autograph and first edition
Urtext
Edition:
Urtext
Level of difficulty:
intermediate
Publisher/Label:
Wiener Urtext Edition
Opus:
op. 100
Key:
G major
Series:

Technical Details

Media Type:
Sheet music
Product number:
UT50162
ISMN13:
979-0-50057-133-9
ISBN13:
978-3-85055-570-8
Weight:
0,25 kg
Pages:
68
Binding:
Paperback/Softcover
Manufacturer:
Universal Edition AG
1010 Wien
Austria

More from this series

Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

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