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Description
Shostakovich's Symphony No. 8 was composed within a period of only a few weeks in 1943. Its unusual formal structure, with five very unevenly balanced movements, was not the only thing to alienate the critics at first: above all, the expected triumphant final movement was missing, which would have symbolised the turning point of the on-going war after the Battle of Stalingrad. While it was officially agreed that this symphony reflected the horror of war, the conductor Kurt Sanderling, a friend of Shostakovich, said that it was a representation of the "horror of an intellectual's life at that time".
This volume is part of the revised and corrected new edition of all 15 symphonies by Dmitri Shostakovich published by Boosey & Hawkes and Sikorski as large format study scores for optimal legibility. All scores and the related orchestral parts have been newly computer typeset, and the orchestral parts are also compatible for performance use with scores in ‘The New Collected Works of Dmitri Shostakovich’.
Orchestral Cast
Content
I Adagio
II Allegretto
III Allegro non troppo
IV Largo
V Allegretto
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More from this series
In celebration of his anniversary year in 2025, music publishers Boosey & Hawkes and Sikorski have jointly launched of a revised and corrected new edition of all 15 symphonies by Dmitri Shostakovich. A worthy tribute to one of the most important composers of the 20th century!
Published as large-format study scores, the new editions ensure optimal legibility. All scores and the related orchestral parts have been newly computer typeset. Scores and orchestral parts are also compatible with editions from the The New Collected Works of Dmitri Shostakovich, thus reflecting the current state of research.
Following the successful completion of this edition project, the piano reductions of the two symphonies with vocal or choral participation as well as study scores and piano reductions of other orchestral works by Dmitri Shostakovich, including the popular Suite for Jazz Orchestra No. 2 and his instrumental concertos, will also be released. Like the study scores of the symphonies, these will be revised and corrected new editions in A4 format and in new computer typesetting.