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CD

Pé de Serra Forró Band

Dance Music from the Countryside of Brazil
House of the Cultures of the World
Product number: SM 15092
€12.00
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Product Details

Description

Forró means occasion, festival, dance, much more than just music. Since the 1940s the forró has become known well outside of the borders of northeast Brazil. Accordion (concertina), the large frame drum called the zabumba, and the triangle are the typical instruments of the forró band. Here they are played by musicians who mastered their instruments in childhood and are all closely associated with the forró. The expression pé de serra (foothill) is used to describe everything from the that has come to the city from the provinces in raw and unpolished form. Forró pé de serra differs from forró urbano in not using any electroacoustic processing.

Content

Rodando a saia
Sanfoneiro gosta
Baião de Passira
Saudades de Roraima
Forroliá
Arrasta-pé de Zé
Forró da Bola Sete
India macuxi
Piado de gaita
Forró no Zé Bernardo
Sanfoneiro bom
Oito baixo feliz
Pé de Serra
Forró inchirido
Passeando pelo mundo
No som desse fole
Xote pendurado
Forrozando no Spazzio

Performers

Duda da Passira: accordion, vocal / Heleno dos Oito Baixos: sanfona, concertina, vocal / Tavares da Gaita: gaita, reco-reco / Raminho: zabumba, triangle

More Information

Title:
Pé de Serra Forró Band
Dance Music from the Countryside of Brazil
House of the Cultures of the World
Publisher/Label:
Wergo
Duration:
63 ′44 ′′
Series:

Technical Details

Product number:
SM 15092
MAN EAN:
4010228150926
Weight:
0,13 kg

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World Music is a not uncontroversial term for the rich variety of musical culture of our planet, and it comprises not only the musical traditions of the rural parts of Africa, Asia, and Latin America but also those of the high cultures of the Indian subcontinent, Japan, and China as well as the popular music of urban metropolises throughout the world today.
This edition of CDs, most of which were produced in cooperation with Berlin’s House of the Cultures of the World and the Music Department of Berlin’s Ethnological Museum, mixes up the categories of “foreign” and “familiar” not only by bringing closer things that are unknown and unfamiliar but also by revealing the familiar in the foreign and the foreign in the familiar.
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