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Partita A minor for flute solo

Urtext
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Product number: UT50283
Edition: Urtext
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Product Type
Print edition
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Product Details

Description

Johann Sebastian Bach's Partita in A minor for solo flute, actually entitled 'Solo pour la flûte traversière', is one of the undisputed gems of the flute repertoire. The work is extant in only one copy as autograph material of the composer has not survived. This raises a number of questions and problems which the present edition faces again not only in the preface and notes on interpretation, but also in the musical text itself. Due to the meticulous examination and assessment of all text details, the transition to the repetition of the second part in the Allemande, for example, is structured differently than in most established editions. The practical performance notes examine the musical text on the basis of practical sources of contemporaries of Bach as well as in accordance with the principles of musical rhetoric.

More Information

Title:
Partita A minor for flute solo
Urtext
Nach den Quellen herausgegeben
Urtext
Edition:
Urtext
Level of difficulty:
advanced
Publisher/Label:
Wiener Urtext Edition
Directory:
BWV 1013
Key:
A minor
Series:

Technical Details

Media Type:
Sheet music
Product number:
UT50283
ISMN13:
979-0-50057-345-6
ISBN13:
978-3-85055-724-5
UPC:
800522002847
Weight:
0,09 kg
Pages:
20
Format:
23cm x 30.7cm
Binding:
Saddle-wire stitching
Manufacturer:
Universal Edition AG
1010 Wien
Austria

More from this series

Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

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