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Organ Works

Urtext
organ alone
Product number: UT50243
Edition: Urtext
€29.95
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Product Type
Print edition
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Product Details

Description

When Reubke died in 1858 at the age of only 24 his achievements included two monumental works (a piano sonata and an organ sonata) and a few smaller
compositions, including a Trio for organ. This Urtext edition brings together the two organ works in a new edition: the organ sonata is also known by the title of the 94th Psalm, whose words inspired its content. The Sonata, whose style and virtuosity show the influence of Liszt, is one of the greatest organ works of the whole Romantic period. The Trio, a
musically charming but technically less demanding piece, should represent a welcome addition to the teaching repertoire for organ. The only original documents remaining for these works are the first editions. In this new edition we have attempted to correct obvious mistakes in the first impression and to offer cautious suggestions for improvements in dubious instances.

Content

Der 94. Psalm (Sonate) c-Moll
Trio Es-Dur
Adagio a-Moll

More Information

Title:
Organ Works
Urtext
Edition:
Urtext
Level of difficulty:
difficult
Publisher/Label:
Wiener Urtext Edition
Series:

Technical Details

Media Type:
Sheet music
Product number:
UT50243
ISMN13:
979-0-50057-263-3
ISBN13:
978-3-85055-605-7
Weight:
0,26 kg
Pages:
54
Format:
30.3cm x 22.2cm
Binding:
Paperback/Softcover
Manufacturer:
Universal Edition AG
1010 Wien
Austria

More from this series

Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

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