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Tagged with 'Ryan Wigglesworth'

Work of the Week – Ryan Wigglesworth: For Laura, after Bach

British composer Ryan Wigglesworth stands with arms crossed in front of a blurred, brown-toned wall. He wears a light blue shirt and looks thoughtfully to the side.

With For Laura, after Bach, British composer and conductor Ryan Wigglesworth pays tribute to Laura Samuel, long-time leader of the BBC Scottish Symphony Orchestra, who passed away in 2024. The piece will be premiered on 27 July 2025 at the Royal Albert Hall as part of the BBC Proms, conducted by the composer himself together with the orchestra’s string section – the very ensemble to which Laura Samuel was so closely connected.

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Work of the Week - Ryan Wigglesworth: Piano Concerto

Ryan Wigglesworth will make no fewer than three appearances as a conductor at this year’s BBC Proms, including on 28 August 2019 when he will direct the world premiere of his Piano Concerto with Marc-André Hamelin and Britten Sinfonia. The new work is the result of a joint commission between BBC Radio 3 and Melbourne Symphony Orchestra.



From the chorale figures of its opening arioso, to the contrapuntal scherzo and trio and the fugal finale, Wigglesworth’s Piano Concerto is characterised by its incorporation of Classical form and stylistic elements into his own contemporary idiom.
The solo piano part, neither bravura nor particularly virtuosic, often displays a poetic, intimate character. The work’s four movements are studies in character. The first, songlike; the second, a fast scherzo with a gentler central trio; the third, a nocturne based on a folk melody; and finally, a lively contrapuntal Gigue. - Ryan Wigglesworth

The lightly scored Notturno is one of the work’s more intimate moments. The orchestra is reduced to just strings and harp, accompanying the soloist in a small set of variations based on a Polish folk song Wigglesworth first heard around a campfire. His personal association of the melody with night is rendered in the dream-like and occasionally nightmarish quality of this movement.

Ryan Wigglesworth: Piano Concerto – Incorporation of classical form in a contemporary idiom


Audiences will be able to hear Wiggleworth’s Piano Concerto in performances around the world in coming seasons, including on 27, 28 and 29 February 2020 with Seattle Symphony Orchestra.

 

 

Photo: Benjamin Ealovega

Work of the Week - Mark-Anthony Turnage: The Silver Tassie

On 10 November 2018, the BBC Symphony Orchestra will perform Mark-Anthony Turnage’s opera The Silver Tassie (1997-1999) in concert  as part of their In Remembrance World War I series at the Barbican in London. Ryan Wigglesworth will conduct, with an excellent cast including Sally Matthews, Sir John Tomlinson, Claire Booth, Marcus Farnsworth, Louise Alder, Susan Bickley, and Ashley Riches as Harry, the lead character.

Based on Sean O’Casey’s 1928 play on the futility of war, The Silver Tassie is set in Dublin during World War I. Its title, referring to a footballing trophy, comes from a Scottish song text by Robert Burns “Go fetch to me a pint o’ wine, an’ fill it in a silver tassie; that I may drink before I go, a service to my bonnie lassie”. The opera was co-commissioned by English National Opera whilst Turnage was their Composer in Association, and Dallas Opera.

Mark-Anthony Turnage - The Silver Tassie: the tragedy of war


The story of The Silver Tassie centres around Harry Heagen - a handsome soldier on leave from the Great War, and a renowned footballer. Triumphant after winning the football cup ‘The Silver Tassie’ for his team, Harry leaves his family and girlfriend Jessie for the front. There he is rescued from death by his best friend Barney, but loses the use of his legs and is confined to a wheelchair. Harry then discovers Jessie has deserted him for Barney, and the final act brings a poignant and moving conclusion, as he sets off to face an uncertain future.
It is not only words that come across vividly, but feelings too. The sheer theatricality of the music is dazzling. Turnage knows precisely how to hold the audience's interest and sympathy, timing each scene consummately and providing haunting "tag" tunes and a series of grand operatic gestures. – Rupert Christiansen, The Telegraph

Further upcoming performances for Turnage include the staging of his explosive first opera Greek (1986-1988) at New York’s Brooklyn Academy of Music from 5-9 December 2018.

 

© Foto: Keith Saunders