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Auf dem Weg zur musikalischen Symbiose

Die Komponistin Younghi Pagh-Paan
Product number: NZ 5044
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It was in the wake of three events with lectures and concerts dedicated to the composer Younghi Pagh-Paan on the occasion of her 70th birthday that this first book about her work was published. On 14 November 2015, a musicological colloquium was held at her long-standing place of work, the Hochschule für Künste in Bremen. "Poetry, Image and Voice. The Musical World of Younghi Pagh-Paan" was the theme of a symposium, which took place on 1 December 2015 at the Korean Cultural Centre in Berlin. Most recently, the Ewha Music Research Institute of the Ewha Women's University in Seoul honoured Younghi Pagh-Paan with a conference on 28 October 2016.
Eight of the participants in these events reworked their lectures into essays for this publication. In addition, there are two contributions that the authors have written especially for this volume. They contain an overview of more than 40 creative years of Younghi Pagh-Paan, a review of the professor of composition's teaching, an analysis of her early self-portrayal, and studies that deal with a number of works of various instrumentations from different phases of her compositional work, looking at the East-West dichotomy of the Korean-born composer, who has lived and worked in Germany for 46 years, from a variety of perspectives.



Max Nyffeler: Der lange Weg zum Selbst. Zu Younghi Pagh-Paans künstlerischer Entwicklung

Joachim Heintz: Die Lehrerin

Dörte Schmidt: Jeder hat [eine] eigene Tradition, wie jeder eine Vergangenheit hat. Younghi Pagh-Paan in Freiburg und Darmstadt in den 1970er und 1980er Jahren

Jin-Ah Kim: Erinnerte Heimat und Transkulturalität. Zur Korrelation von Person und musikalischem Schaffen

Anne C. Shreffler: Hidden Utopias. The Political and Aesthetic Visions of Younghi Pagh-Paan’s «Sori» (1979–80)

Kilian Schwoon: Ebenen der Wirklichkeit in «TSI-SHIN-KUT»

Sandeep Bhagwati: Das Theater der Stimme. «Flammenzeichen» als inter-disziplinäre und inter-traditionelle Kunst

Andreas Meyer: «Dorthin, wo der Himmel endet». Zur utopischen Verortung musikalischer Lyrik bei Younghi Pagh-Paan

Shin-Hyang Yun: Poesie, Image und Stimme bei Younghi Pagh-Paan im Fokus auf dem Gesangstext der «Herz»-Serie (1990–98)

Ali Gorji: «In luce ambulemus». Analytische Reflexionen und Hintergründe

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Auf dem Weg zur musikalischen Symbiose
Die Komponistin Younghi Pagh-Paan
Schott Music

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Product number:
NZ 5044
0,43 kg


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