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Ahnung

Album leaf for piano
First edition in cooperation with the town of Überlingen
Product number: UT50271
Edition: Urtext
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Product Type
Print edition
Title is available

Product Details

Description

In 2009 a previously unknown manuscript of an album leaf for piano by Robert Schumann was found in the Leopold Sophien Library of Überlingen. The little piano piece, entitled 'Ahnung', had been given and dedicated by Klara Schumann to a friend of hers, the lithographer and writer Julius Allgeyer. In the Wiener Urtext Edition series, this little work is published for the first time in the run-up to the Schumann Year 2010. A print of the rediscovered Schumann autograph is included in the edition. The expressive, relatively easy-to-play piece adds to the Romantic piano repertoire

More Information

Title:
Ahnung
Album leaf for piano
First edition in cooperation with the town of Überlingen
Edited from the autograph by Michael Beiche. Fingerings by Jochen Reutter.
Urtext
Edition:
Urtext
Level of difficulty:
easy - intermediate
Publisher/Label:
Wiener Urtext Edition
Series:

Technical Details

Media Type:
Sheet music
Product number:
UT50271
ISMN13:
979-0-50057-308-1
ISBN13:
978-3-85055-683-5
UPC:
800522002434
Weight:
0,06 kg
Pages:
8
Format:
23.1cm x 30.3cm
Binding:
Saddle-wire stitching
Manufacturer:
Universal Edition AG
1010 Wien
Austria

Preview/Media Contents

Video:
Ahnung

More from this series

Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

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