Sinfonia Concertante in A

Ignaz Pleyel (1757-1831) was at one time the most famous composer in the world. The popularity of his music eclipsed that of even his teacher Haydn and publishers vied to bring out his latest works as soon as they were finished. Some 2000 separate prints of Pleyel works had appeared by 1800 and his fame extended to every corner of Europe and as far afield as North America. Pleyel’s career as a composer spanned less than thirty years with the majority of his works composed in the 1780s. He founded a successful publishing house in Paris in the mid-1790s and later began manufacturing keyboard instruments. With increasing demands on his time from his business concerns Pleyel’s productivity as a composer dropped sharply and he ceased composing around 1805. The Sinfonia Concertante in A (Benton 114) was composed in 1792 and, like the ‘celebrated’ Concertante in F (Benton 113), received its premiere in London at the fifth Professional Concert on 12 March 1792. The work, which featured Cramer father and son as soloists, was very well received and the second movement in particular was highly applauded. With no Viennese models in mind (the symphonie concertante was not cultivated in Vienna) Pleyel looked to Mannheim and Paris for inspiration and Benton 114, like its predecessor for Violin & Viola (Benton 112), is far closer in spirit and technique to the works of Carl Stamitz than to those of his teacher Haydn. It is a genial, relaxed work, rich in melodic invention and light in thematic development. Pleyel writes beautifully for the two solo instruments, distributing thematic material evenly between them, and creating at times a dazzling web of sound.