Born: April 28th, 1952
Country of origin: Ireland
Conductor: Thomas Adès
June 11th, 2014 | Symphony Hall - Birmingham - United Kingdom
Aeneas and Dido
June 20th, 2014 | Wigmore Hall - London - United Kingdom
The world now has something rare: a new genuinely comic opera and maybe the most inventive Oscar Wilde opera since Richard Strauss' Salome more than a century ago. The Los Angeles Times on The Importance of Being Earnest (2012)
Gerald Barry was born in Ireland in 1952 and after attending University College Dublin went to Amsterdam and later Cologne to continue his studies. His time in Germany, where he studied with Stockhausen and Kagel, proved to be a liberating experience and he soon came to public attention in 1979 with radical ensemble works “________” and Ø.
Barry has received number commissioned by the BBC, including Chevaux-de-frise for the 1988 Proms, given its Russian première by the Mariinsky Orchestra in 2007; The Conquest of Ireland, given its German première by the Bavarian RSO in 1998; Day for the BBC Symphony Orchestra; The Eternal Recurrence, a setting of Nietzsche for voice and orchestra; and Hard D for the Orkest de Volharding.
Barry’s first opera The Intelligence Park (recorded on NMC), was commissioned by the ICA and first performed at the 1990 Almeida Festival. A second opera, The Triumph of Beauty and Deceit, written for Channel 4 Television, opened the 2002 Aldeburgh Festival, followed by performances in London and the Berliner Festwochen conducted by Thomas Adés. A new staging took place in 2013 at the Badisches Staatstheater Karlsruhe. The Bitter Tears of Petra von Kant was given in 2005 at English National Opera and in 2008 at the Basle Opera. La Plus Forte, a one-act opera on the Strindberg play, was commissioned by Radio France for the 2007 Festival Présences. Sung by Barbara Hannigan, it toured to Amsterdam, London, Dublin, Miami and Toronto.
Barry wrote Wiener Blut, Dead March and Beethoven for Birmingham Contemporary Music Group. God Save The Queen for choir and ensemble was commissioned for the London Sinfonietta by London's South Bank Centre on the fiftieth birthday of the Royal Festival Hall in 2001.
Recent chamber works include Le Vieux Sourd for piano, commissioned by Betty Freeman, Feldmans Six-Penny Editions for the London Sinfonietta and Saint Paul Chamber Orchestra, and No people. for Ensemble 7Bridges.
His most recent opera, The Importance of Being Earnest, was jointly commissioned by the LA Philharmonic and the Barbican in London, and received its world premiere staging at Opéra national de Lorraine – Nancy in 2013. Two further productions were staged the same year at the Royal Opera House Linbury Theatre, and on tour with NI Opera. Earnest received a 2013 RPS Award for Large-Scale Composition and a recording will be released on NMC in 2014.
Barry's Piano Concerto, written for Nicolas Hodges and co-commissioned by Musica Viva, Munich, and City of Birmingham Symphony Orchestra, was premiered in Munich in November 2013. Three performances are planned for June 2014 with Hodges, including the UK premiere with the CBSO and the Finnish premiere with Avanti! Chamber Orchestra.
Humiliated and Insulted, a new work for solo piano, will be premiered by Stephen Clarke in Toronto in November 2014.
Upcoming works include an opera, Alice's Adventures Under Ground. Barry is featured composer at Avanti" Chamber Orchestra's 2014 'Summer Sounds' Festival in Finland.
His music has been recorded on the NMC, Largo, Black Box, Marco Polo, BVHaast and RTE labels.
The Gerald Barry catalogue is being transferred from Oxford University Press to Schott Music over a period of two years from 1 October 2013. Individual works will be listed on Schott Music’s website once they have been transferred. Please contact firstname.lastname@example.org or email@example.com for further information.