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Matériel en location / d'exécution
Vox amoris
Fantasia per violino ed archi
violon et orchestre à cordes
Edition: Matériel d'exécution
Série:
Vox amoris
Détails du produit
Description
I started composing the fantasy for violin and orchestra Vox amoris in fall 2008 and finished the score in early spring 2009. What is the message I wanted to announce? It is about the greatest power in the whole world – love. Love is, was and will be as long as we will be. I believe that solo violin and string orchestra is the best combination for a ‘love story’.
The composition, consisting of one single movement, starts with a muted string tremolo. Then the solo violin appears – searching, asking, until it blossoms in a broad melody which is supported by a gentle orchestral accompaniment. The solo violin Cadenza I links the introductory part with the central episode. The central part of the composition is built up from two sound waves. The first wave starts softly, slowly, and then the intensity increases, becomes stronger, and then decreases. The second wave is broader, more dramatic. The solo violin part becomes more challenging; the string orchestra plays an active role here. Cadenza II emphasizes the way to culmination – the highest point is reached when the solo violin and the orchestra meet – in a high register, in the highest intensity. A quiet organ point is then the background for images from the beginning. The solo violin once again sings a cantilena of the glory of love. The piece ends in a melancholic yet light mood.
Vox amoris was created by initiative of the Australian Chamber Orchestra and its leader Richard Tognetti. I hope this work will reach the listeners making the world a little brighter and more open to love. (Pēteris Vasks, 2009)
The composition, consisting of one single movement, starts with a muted string tremolo. Then the solo violin appears – searching, asking, until it blossoms in a broad melody which is supported by a gentle orchestral accompaniment. The solo violin Cadenza I links the introductory part with the central episode. The central part of the composition is built up from two sound waves. The first wave starts softly, slowly, and then the intensity increases, becomes stronger, and then decreases. The second wave is broader, more dramatic. The solo violin part becomes more challenging; the string orchestra plays an active role here. Cadenza II emphasizes the way to culmination – the highest point is reached when the solo violin and the orchestra meet – in a high register, in the highest intensity. A quiet organ point is then the background for images from the beginning. The solo violin once again sings a cantilena of the glory of love. The piece ends in a melancholic yet light mood.
Vox amoris was created by initiative of the Australian Chamber Orchestra and its leader Richard Tognetti. I hope this work will reach the listeners making the world a little brighter and more open to love. (Pēteris Vasks, 2009)
Plus d'infos
Titre:
Vox amoris
Fantasia per violino ed archi
Edition:
Matériel d'exécution
Maison d'édition:
Schott Music
Year of composition:
2008 - 2009
Durée:
24 ′
Première:
14 octobre 2009 · Sydney, NSW (AUS)
Angel Place, City Recital Hall
Richard Tognetti, violin · Musikalische Leitung: Richard Tognetti · Australian Chamber Orchestra
Angel Place, City Recital Hall
Richard Tognetti, violin · Musikalische Leitung: Richard Tognetti · Australian Chamber Orchestra
Travaux commandés :
dedicated by Barbara Blackman to Louis Green, a friendship in music for over 50 years
Série:
Détails techniques
Numéro du produit:
LS 5075-01
Preview/Media Contents
Audio:
Video:
Pēteris Vasks: Vox amoris (Roland Greutter, NDR Elbphilharmonie Orchester, Adris Poga)
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Vox amoris
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