Lieferzeit
2-3 Tage
Détails du produit
Description
The New Imperial Edition of Solo Songs has been designed as a chronological anthology of song from the Lutenists down to the present day. As other albums will be devoted exclusively to operatic and oratorio arias these are generally omitted from the present volumes.
Manifestly, the selection must be indicative rather than comprehensive or merely exclusive and is essentially practical, not personal. Each song is briefly annotated and, except where indicated, appears in the original key or is set for the voice which it is normally associated.
Apart from obvious restrictions, the choice has been largely determined by certain positive needs. To provide the singing teacher and student alike with a working catalogue as a basis for more specialized research into the varied treasure of the literature of song; to give the festival committees and examination bodies a ready way of governing without unduly restricting the dangerous freedom of choice classes; to present the would-be accompanist with a convenient means of studying the many-sided aspects of the exacting technique; and, lastly, to offer to all singers, whether amateur or professional, a practical and logical conspectus of the diversities of lyrical song over a period of some three hundred years. If, in addition these books will do something to combat the present-day weakness for vocal exhibitionism or narrow eclecticism the labour of their preparation will be doubly justified.
Manifestly, the selection must be indicative rather than comprehensive or merely exclusive and is essentially practical, not personal. Each song is briefly annotated and, except where indicated, appears in the original key or is set for the voice which it is normally associated.
Apart from obvious restrictions, the choice has been largely determined by certain positive needs. To provide the singing teacher and student alike with a working catalogue as a basis for more specialized research into the varied treasure of the literature of song; to give the festival committees and examination bodies a ready way of governing without unduly restricting the dangerous freedom of choice classes; to present the would-be accompanist with a convenient means of studying the many-sided aspects of the exacting technique; and, lastly, to offer to all singers, whether amateur or professional, a practical and logical conspectus of the diversities of lyrical song over a period of some three hundred years. If, in addition these books will do something to combat the present-day weakness for vocal exhibitionism or narrow eclecticism the labour of their preparation will be doubly justified.
Contenu
Lully: All your shades (Bois épais)
Purcell: Arise, ye subterranean winds (Tempest)
Arne: Bacchus, God of Mirth and Wine
Rachmaninoff: By the Grave (Sur la tombe encore fraiche)
Anonymous: Down Among the Dead Men (c. 1700)
Drinking (Traditional German Trinklied)
Handel: Drop not, young lover
Brahms: Earth and Sky (Feldeinsamkeit)
Wood: Ethiopia Saluting the Colours
Purcell: Hear! Ye Gods of Britain
Mendelssohn: I am a roamer
Brahms: I said, "I will forget thee." (Nicht mehr zu dir zu gehen)
Carissimi: I triumph! I triumph (Vittoria! Vittoria!)
Schumann: The Last Toast (Auf das Trinkglas eines verstorbenen Freundes)
Schubert: The Lay of the Imprisoned Huntsman (Lied des gefangenen Jägers)
Schubert: The Lime Tree (Der Lindenbaum)
Buononcini: Love leads to battle (Pupille nere)
Head: Money, O!
Harty (arr.): My Lagan Love
Schubert: My Last Abode (Aufenthalt)
Purcell: The Owl Is Abroad
Blow: The Self-Banished
R. Strauss: The Solitary One (Der Einsame)
Beethoven: The Song of the Flea
Mozart: Thoughts at Eventide (Abendempfindung)
Hume: Tobacco
Tchaikovsky: To the Forest
Schumann: The Two Grenadiers (Die beiden Grenadiere)
Gounod: The Valley (La Vallon)
Purcell: Arise, ye subterranean winds (Tempest)
Arne: Bacchus, God of Mirth and Wine
Rachmaninoff: By the Grave (Sur la tombe encore fraiche)
Anonymous: Down Among the Dead Men (c. 1700)
Drinking (Traditional German Trinklied)
Handel: Drop not, young lover
Brahms: Earth and Sky (Feldeinsamkeit)
Wood: Ethiopia Saluting the Colours
Purcell: Hear! Ye Gods of Britain
Mendelssohn: I am a roamer
Brahms: I said, "I will forget thee." (Nicht mehr zu dir zu gehen)
Carissimi: I triumph! I triumph (Vittoria! Vittoria!)
Schumann: The Last Toast (Auf das Trinkglas eines verstorbenen Freundes)
Schubert: The Lay of the Imprisoned Huntsman (Lied des gefangenen Jägers)
Schubert: The Lime Tree (Der Lindenbaum)
Buononcini: Love leads to battle (Pupille nere)
Head: Money, O!
Harty (arr.): My Lagan Love
Schubert: My Last Abode (Aufenthalt)
Purcell: The Owl Is Abroad
Blow: The Self-Banished
R. Strauss: The Solitary One (Der Einsame)
Beethoven: The Song of the Flea
Mozart: Thoughts at Eventide (Abendempfindung)
Hume: Tobacco
Tchaikovsky: To the Forest
Schumann: The Two Grenadiers (Die beiden Grenadiere)
Gounod: The Valley (La Vallon)
Plus d'infos
Titre:
The New Imperial Edition
Lieder pour basse
Langue:
Anglais
Niveau de difficulté:
moyen
Maison d'édition:
Boosey & Hawkes
Série:
Détails techniques
Type de support:
Partition
Numéro du produit:
BH 5000409
ISMN13:
979-0-051-90450-1
ISBN13:
978-1-4584-2183-8
UPC:
073999594515
Poid:
0,34 kg
Pages :
100
Format:
23.1cm x 30.3cm
Obligatoire :
Couverture souple
Fabricant:
Plus de cette série
The New Imperial Edition
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