Overture to 'Un pazzo ne fa cento'

Like many of Vienna’s most prominent musicians, Florian Leopold Gassmann (1729-1774) was a Bohemian by birth. Comparatively little is known about his early life and training although he was well enough established in Italy as a composer to secure a commission to compose his first opera, Merope, for the Teatro S Moisè, Venice, in the Carnival season of 1757. The work was a success and Gassmann composed a new opera annually for the next five years. His third opera, Gli uccelatori, was the first of his many settings of libretti by Carlo Goldoni. In 1763 he succeeded Gluck (as ballet composer) in Vienna and in 1772 succeeded Georg Reutter the Younger as Hofkapellmeister. His premature death in 1774 as a result of a fall from a carriage was regretted by many, including Joseph II who admired his music very much. Un pazzo ne fa cento (One Fool Makes a Hundred), Gassmann’s fifth and last opera for the Teatro S. Moisè in Venice, was composed in 1762 to a libretto by G. Foppa and premiered there in the carnival season of 1759. The title page of Viennese court copy of the score - upon which this edition of the overture is based - reads: ‘Un Pazzo ne fa Cento / Dramma Giocosa del 1763 / In San Moisè / Musica / Sig: Floriano Leopoldo Gasmann’. It is in a different hand from most of the other Gassmann operas in the court collection and may have been brought to Vienna by the composer when he took up his appointment in 1763. Gassmann’s elegance and skill as a composer of theatrical music is evident at every turn in this sparkling overture.