• Joy of Music – Plus de 250 ans de qualité, innovation et tradition
  • Accueil
  • Livres
  • "On revient toujours". Dokumente zur Schönberg-Rezeption aus der Paul Sacher Stiftung
Lieferzeit
2-3 Tage
Livre

"On revient toujours". Dokumente zur Schönberg-Rezeption aus der Paul Sacher Stiftung

Festgabe für Hermann Danuser zum 70. Geburtstag
Numéro du produit: PSB 1019
35,00 €
TTC, hors expédition
Title is available

Détails du produit

Description

Although deeply traditional and concerned with organic evolution rather than with revolutionary overthrow, Arnold Schoenberg (1874–1951) was instrumental in helping to shape and reshape 20th-century music with his innovative compositions. It is common knowledge that he met not just with the approval of his contemporaries but, quite often, also with bitter opposition. Nevertheless, almost all observers were aware that there was an extraordinary and important artist at work whose oeuvre could not be passed over in silence.
The present publication takes a look into this impact of Schoenberg on the basis of 59 selected reception documents altogether (music and text manuscripts, but also concert programmes, records, among others) from the collections of the Paul Sacher Foundation, thus focussing not on sources by Schoenberg himself but on documents written by composers, interpreters and publicists of different provenance and character who have studied Schoenberg's oeuvre over the course of the past 100 years.

Contenu

Vorwort
Dokumente 1909-2006
Anhang: Alphabetische Liste der Dokumente
Schönberg-Manuskripte in den Sammlungen der Paul Sacher Stiftung
Namenregister

Plus d'infos

Titre:
"On revient toujours". Dokumente zur Schönberg-Rezeption aus der Paul Sacher Stiftung
Festgabe für Hermann Danuser zum 70. Geburtstag
Langue:
Allemand
Maison d'édition:
Paul Sacher Stiftung

Détails techniques

Numéro du produit:
PSB 1019
ISBN13:
978-3-7957-1202-0
Poid:
0,91 kg
Pages :
192
Format:
Format spécial ou matériel de location
Obligatoire :
Couverture souple

Commentaires

Écrire la première critique