Lieferzeit
2-3 Tage
Matériel en location / d'exécution
Hans Werner Henze (Compositeur) | Wystan Hugh Auden (Librettiste) | Aesop (Auteur du texte original)
Moralities – Moralitäten
Drei szenische Spiele von Wystan Hugh Auden nach Fabeln des Aesop
Deutsche Fassung von Maria Bosse-Sporleder
solistes, récitants, choeur et petit orchestre
These are three didactic pieces, composed at the beginning of 1967 for the Cincinnati Music Festival, intended as school operas for music schools, opera studios and colleges to be performed as stage works or in concert form. Stage productions are left entirely to the performers to decide on how the work is realised with incouragement to find a suitably fun style.
Edition: Matériel d'exécution
Série:
Moralitäten
Détails du produit
Description
I The frogs wish to have a king. They misunderstand Jupiter’s warning against such a stupid request, upon which he sends them a crane to gobble them up.
II Previously the crows were able to sing beautifully. But, as they tried to imitate the fashionable whinnying of horses, they lose this facility.
III A shipping company runs into a storm at sea and prays to the gods for help. After surviving a sea-crossing unharmed, in their rediscovered joie-de-vivre they mock all authority and have a wild party. (quoted from: introductory text to the Music Primer for the 8th Youth Festival of Music, Deutschlandsberg 1991)
The title of this composition places the work in a tradition reaching back to the middle ages. In the 15th and 16th centuries, “Morality Plays” were allegorical plays with a didactic and moral content demonstrating to the citizenry the cardinal virtues and obligations. Henze and his librettist Auden made use of Aesop’s fables, to which they give an emphasis relevant to contemporary social situations.
"These are three teaching pieces or school operas, composed in early 1967 for the Music Festival in Cincinnati, where they received their first performance in May 1968. I can imagine that they will be capable of performance in music schools, opera studios and colleges, staged or in concert. As far as stage production is concerned, it is left entirely to the performers to find their own style. Here, too, fun should play a principal role. The first piece deals with the difficulty of re- cognising the advantages of an anarchic way of life, the second with modernism and the third, with the short memory of a society that thinks it can get away with it again. Each of the three little operas is divided into numbers – short forms, little arias, recitatives, choral ensembles."
II Previously the crows were able to sing beautifully. But, as they tried to imitate the fashionable whinnying of horses, they lose this facility.
III A shipping company runs into a storm at sea and prays to the gods for help. After surviving a sea-crossing unharmed, in their rediscovered joie-de-vivre they mock all authority and have a wild party. (quoted from: introductory text to the Music Primer for the 8th Youth Festival of Music, Deutschlandsberg 1991)
The title of this composition places the work in a tradition reaching back to the middle ages. In the 15th and 16th centuries, “Morality Plays” were allegorical plays with a didactic and moral content demonstrating to the citizenry the cardinal virtues and obligations. Henze and his librettist Auden made use of Aesop’s fables, to which they give an emphasis relevant to contemporary social situations.
"These are three teaching pieces or school operas, composed in early 1967 for the Music Festival in Cincinnati, where they received their first performance in May 1968. I can imagine that they will be capable of performance in music schools, opera studios and colleges, staged or in concert. As far as stage production is concerned, it is left entirely to the performers to find their own style. Here, too, fun should play a principal role. The first piece deals with the difficulty of re- cognising the advantages of an anarchic way of life, the second with modernism and the third, with the short memory of a society that thinks it can get away with it again. Each of the three little operas is divided into numbers – short forms, little arias, recitatives, choral ensembles."
Orchestral Cast
1 (auch Picc.) · 1 · 1 · 1 - 1 · 1 · 1 · 0 - P. S. (Glsp. · Bassxyl. · Xyl. ad lib. · hg. Beck. · 3 Tomt. · Tamb. · Mil. Tr. · gr. Tr. · 3 Woodbl.) (5 Spieler) - Klav. - Str.
Fassung für Schulaufführungen: P. S. (Glsp. · Bassxyl. · Xyl. · hg. Beck. · 3 Tomt. · Schellentr. · Mil. Tr. · gr. Tr. · 3 Holztr.) (5 Spieler) - 2 Klav. (od. 2 Klav. u. Cemb.)
Fassung für Schulaufführungen: P. S. (Glsp. · Bassxyl. · Xyl. · hg. Beck. · 3 Tomt. · Schellentr. · Mil. Tr. · gr. Tr. · 3 Holztr.) (5 Spieler) - 2 Klav. (od. 2 Klav. u. Cemb.)
Contenu
I "In Urzeiten lebten friedlich die Frösche am Teich"
II "Ehe Zeit war, zu Anfang des Beginns"
III "Ein Schiff stach in See"
II "Ehe Zeit war, zu Anfang des Beginns"
III "Ein Schiff stach in See"
Programmation des personnes
4-stimmiger gem. Chor (S und A können durch Knabenstimmen ersetzt werden; z. T. werden Chorsoli als Solistenquartett eingesetzt) - Jupiter, Kapitän · Bass - Herrin Hold · Alt - Sprecher (z. T. sehr rhythmisches Sprechen, auskomponiert)
Plus d'infos
Titre:
Moralities – Moralitäten
Drei szenische Spiele von Wystan Hugh Auden nach Fabeln des Aesop
Deutsche Fassung von Maria Bosse-Sporleder
Langue:
Allemand, Anglais
Edition:
Matériel d'exécution
Maison d'édition:
Schott Music
Year of composition:
1967
Durée:
25 ′
Première:
18 mai 1968 · Cincinnati, OH (USA)
May Festival 1968
Solisten des College Conservatory of Music · Musikalische Leitung: Max Rudolf · Cincinnati Symphony Orchestra · Chor des College Conservatory of Music, Combined High School Chorus and Children's Choir
(scenic)
1 avril 1970 · Saarbrücken (D)
Kongresshalle
Wilhelm Pitsch, Sprecher; Charlotte Lehmann-Huber, Sopran; Ingrid Stolz, Alt; Georgios Chatsilias, Tenor; Siegmund Nimsgern, Bass; Hans Schmitt, Klavier; Kurt Schmitt, Klavier; Franz Zöller, Cembalo · Musikalische Leitung: Herbert Simolzi · Chor der staatlichen Hochschule für Musik, Saarbrücken
Première mondiale (révision) (world première of the small version)
May Festival 1968
Solisten des College Conservatory of Music · Musikalische Leitung: Max Rudolf · Cincinnati Symphony Orchestra · Chor des College Conservatory of Music, Combined High School Chorus and Children's Choir
(scenic)
1 avril 1970 · Saarbrücken (D)
Kongresshalle
Wilhelm Pitsch, Sprecher; Charlotte Lehmann-Huber, Sopran; Ingrid Stolz, Alt; Georgios Chatsilias, Tenor; Siegmund Nimsgern, Bass; Hans Schmitt, Klavier; Kurt Schmitt, Klavier; Franz Zöller, Cembalo · Musikalische Leitung: Herbert Simolzi · Chor der staatlichen Hochschule für Musik, Saarbrücken
Première mondiale (révision) (world première of the small version)
Série:
Détails techniques
Numéro du produit:
LS 2116-01
Preview/Media Contents
Audio:
représentations
Moralities – Moralitäten
Jubiläumsveranstaltung zum 150. Geburtstag des Goetheturm-Stifters Gustav Gerst
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Moralities – Moralitäten
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Moralities – Moralitäten
14 novembre 2015 |
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Orchestre: Kammerorchester Basel
28 octobre 2012 |
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17.00 h
Moralities – Moralitäten
Chef d'orchestre: Tobias von Arb
Orchestre: Kammerorchester Basel
27 octobre 2012 |
Basel (Suisse) , Martinskirche
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Plus de cette série
Moralitäten
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