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Modal Jazz Composition & Harmony
Vol. 1
Encourages the exploration of creative abilities in the unfettered environment of the chromatic-modal system and asymmetric form. Free from conventional harmonic patterns, this approach clears the way for compositional expression in all musical styles–post-50's jazz, ECM, fusion, pop, classical.
Numéro du produit: ADV 11303
Edition: Méthode
28,00 €
TTC, hors expédition
Détails du produit
Description
The goal of this book is to show the student the means to develop latent creative abilities by offering the unfettered environment of the chromatic-modal system and free asymmetric form. The freedom of the approach will allow the composer to express him/herself in any style: post 50s jazz, ECM, fusion, pop, classical, etc., that is not tied to any harmonic particulars.
Ron Miller is professor of jazz studies at the University of Miami. His compositions have been recorded and/or performed by notable musicians as Red Rodney, "Elements", Jerry Coker, Ira Sullivan and Stan Getz. Composition students of Ron Miller that have attained notoriety include: Pat Metheny, Steve Morse, "T" Lavitz, Bruce Hornsby, Gil Goldstein, Mark Egan, Matt Harris, Denis DiBlasio and Rick Margitza.
Ron Miller is professor of jazz studies at the University of Miami. His compositions have been recorded and/or performed by notable musicians as Red Rodney, "Elements", Jerry Coker, Ira Sullivan and Stan Getz. Composition students of Ron Miller that have attained notoriety include: Pat Metheny, Steve Morse, "T" Lavitz, Bruce Hornsby, Gil Goldstein, Mark Egan, Matt Harris, Denis DiBlasio and Rick Margitza.
Contenu
Introduction
A Jazz Composer's Regimen
How To Use This Book
Categories of Jazz Compositions
Chapter I: Jazz Harmonic Systems
Chapter II: Constructions of the Unaltered Diatonic Modes
Chapter III: Construction of the Unaltered Diatonic Chords
Chapter IV: Characteristics of the Unaltered Diatonic Modes
Chapter V: The Modes of the Altered Diatonic No. 1 (Melodic Minor)
Chapter VI: Non-Modal Chords
Chapter VII: Chord Connection / Compositional Devices
Chapter VIII: Upper Structures
Chapter IX: Completing the Chord Connection Process
Chapter X: Form
Chapter XI: Harmonic Contour
Chapter XII: The Modes and Chords of the Altered Diatonic No. 2 (Harmonic Minor)
Chapter XIII: Slash Chord Harmony
Chapter XIV: Three-Part Upper Structure Chords
Chapter XV: The Chords of the Altered Diatonic No. 3 (Harmonic Major) and Altered Diatonic No. 4 (Melodic Minor #5)
Conclusion and Final Comments for Volume 1
Appendix
A Jazz Composer's Regimen
How To Use This Book
Categories of Jazz Compositions
Chapter I: Jazz Harmonic Systems
Chapter II: Constructions of the Unaltered Diatonic Modes
Chapter III: Construction of the Unaltered Diatonic Chords
Chapter IV: Characteristics of the Unaltered Diatonic Modes
Chapter V: The Modes of the Altered Diatonic No. 1 (Melodic Minor)
Chapter VI: Non-Modal Chords
Chapter VII: Chord Connection / Compositional Devices
Chapter VIII: Upper Structures
Chapter IX: Completing the Chord Connection Process
Chapter X: Form
Chapter XI: Harmonic Contour
Chapter XII: The Modes and Chords of the Altered Diatonic No. 2 (Harmonic Minor)
Chapter XIII: Slash Chord Harmony
Chapter XIV: Three-Part Upper Structure Chords
Chapter XV: The Chords of the Altered Diatonic No. 3 (Harmonic Major) and Altered Diatonic No. 4 (Melodic Minor #5)
Conclusion and Final Comments for Volume 1
Appendix
Plus d'infos
Titre:
Modal Jazz Composition & Harmony
Vol. 1
Langue:
Anglais
Edition:
Méthode
Maison d'édition:
advance music
Détails techniques
Numéro du produit:
ADV 11303
ISMN13:
979-0-2063-0304-3
ISBN13:
978-3-89221-134-1
UPC:
805095113037
Poid:
0,53 kg
Pages :
144
Format:
23.1cm x 30.3cm
Obligatoire :
Couverture souple
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