• Joy of Music – Plus de 250 ans de qualité, innovation et tradition
Lieferzeit
2-3 Tage
CD

Missa Moguntina

für Soli, Chor und Orchester
Frau Maria Strecker-Daelen in Verehrung zugeeignet
Numéro du produit: WER 62622
12,00 €
TTC, hors expédition
Title is available

Détails du produit

Description

"My imagination, once it was let loose in this place, drew me into a tremendous conflict with myself, for these texts cannot be composed like a telephone-book, they present a challenge and push one into profound depths again and again, definitions begin to waver and positions begin to vacillate", says Volker David Kirchner about the composition of his "Missa Moguntina" which is especially meant for the Mainz cathedral: Kirchner had spent many hours in this cathedral to study its special atmosphere, acoustics, noises of walking people, the whole place, in order to make it sound in his music. The text of the "Missa Moguntina" is based on the latin mass order with psalm 130 "De profundis clamavi ad te, Domine" inserted between Gloria and Credo. Thus the Credo begins at the absolutely lowest point possible, in order to lead it, omitting all historical appositions, to its climax "Et resurrexit". Press review: "... Kirchner found the way to the new light. His Missa is something very special and so is the interpretation ..." (vL: Allgemeine Zeitung, 23. November 1993)

Contenu

Kyrie
Gloria
Psalmus
Credo
Sanctus
Agnus Dei

Interprètes

Maria Karb: soprano / Balthasar Hens, Matthias Jüttner: boy's soprano / Alison Browner: alto / Mads Elung-Jensen: tenor / Johannes M. Kösters: baritone / Gregory Reinhart: bass / Albert Schönberger: organ / Mainzer Domchor / Domkantorei St. Martin / Mainzer Domorchester / Mathias Breitschaft: conductor

Plus d'infos

Titre:
Missa Moguntina
für Soli, Chor und Orchester
Frau Maria Strecker-Daelen in Verehrung zugeeignet
Maison d'édition:
Wergo
Durée:
51 ′5 ′′

Détails techniques

Numéro du produit:
WER 62622
MAN EAN:
4010228626223
Poid:
0,11 kg

Preview/Media Contents

Audio:

Commentaires

Écrire la première critique