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Lieferzeit
2-3 Tage
Numéro du produit: BEL 174
16,50 €
TTC, hors expédition
Détails du produit
Description
“1956 was the year in which Vishnegradski finally defined his theory of cyclical tonal spaces with a regulated internal structure. Op. 40 is the first composition which adheres strictly to this system. It is based on the idea of the magical quadrant, examples of which have been found in Roman catacombs.
SATOR
AREPO
TENET
OPERA
ROTAS
The same words appear when one reads from left to right or from top to bottom. Vishnegradski substitutes bars for the letters (six in this case), which end by returning to the beginning, and, as canons, constitute the structure of the magical quadrant. The form alternates between improvisational play with the elements and strict adherence to the structure. If there is such a thing as musical cubism, then this is it . . . “ (Gottfried Eberle)
SATOR
AREPO
TENET
OPERA
ROTAS
The same words appear when one reads from left to right or from top to bottom. Vishnegradski substitutes bars for the letters (six in this case), which end by returning to the beginning, and, as canons, constitute the structure of the magical quadrant. The form alternates between improvisational play with the elements and strict adherence to the structure. If there is such a thing as musical cubism, then this is it . . . “ (Gottfried Eberle)
Plus d'infos
Titre:
Etude
sur le"Carré magique sonore"
Maison d'édition:
Belaieff Musikverlag
Year of composition:
1957
Opus:
op. 40
Détails techniques
Type de support:
Partition
Numéro du produit:
BEL 174
ISMN13:
979-0-2030-0056-3
Poid:
0,11 kg
Pages :
16
Obligatoire :
Reliure à dos agrafé
Fabricant:
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