Blood on the Floor

for four jazz soloists and large ensemble

Jazzquartett und großes Ensemble

Edition: Matériel d'exécution

Demande de location

Détails du produit

Description

The combination of jazz and the possibilities of contemporary orchestral sound plays a major role in the music of Mark-Anthony Turnage. Blood on the Floor is his first work to include a significant element of improvisation, including his performers in the compositional process from the very beginning. Francis Bacon’s painting gives the work its title and the sour, desolate atmosphere of the prologue: the succeeding eight movements wind up the tension until the spiralling freefall of the last movement, Dispelling the Fears.

Orchestral Cast

solo quartet: ssax(asax.bcl)-drum kit (h.h, sus cym, cow bell, metal bar, tamb, s.d, tom-ts, b.d)-egtr.bgtr
ensemble:2(afl.scaffolding).2(ca).2(bcl 1.scaffolding).2ssax(asax).2(cbsn)-2.2.2.euph.1-2perc(glsp, crot, vib, mar, tub bells, bell plates, Japanese temple bells, spash cym, cow bells, sleigh bell, 4gong, tam-t, 2tamb, bng, tabla, djembe, bodhran, log drum, b.d, marac, clav, lion's roar, large piece of wood, large saucepan)-egtr.hp.pno(cel.epno)-str(6.6.4.4.2 maximum)

Plus d'infos

Titre:

Blood on the Floor

for four jazz soloists and large ensemble

Edition:

Matériel d'exécution

Maison d'édition:

Schott Music Ltd., London

Year of composition:

1993 - 1996

Durée:

80 ′

Première:

1 mai 1994 · Frankfurt/Main (D)
Alte Oper
Musikalische Leitung: Ingo Metzmacher · Ensemble Modern

30 mai 1996 · London (UK)
Queen Elizabeth Hall
John Scofield, electric guitar; Peter Erskine, drum kit; Martin Robertson, saxophones · Musikalische Leitung: Peter Rundel · Ensemble Modern

Travaux commandés :

Co-commissioned by the Ensemble Modern, The South Bank Centre for the Royal Festival Hall, Kölner Philharmonie, Konzerthaus Wien and supported bu the Siemens Kulturprogramm and The British Council