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Versatzstücke / Kommen und Gehen / Rekurs / Fallstudien

Product number: WER 65622
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Description

Orm Finnendahl is no musical humorist. But his works are often based on punchline-like expressions which take the listener by surprise whenever he believed himself safe.
"Fallstudien" is not the first piece in which Finnendahl works consistently with procedures derived from mathematics and the natural sciences. Especially important to him are recursions, patterns of growth and diversification generated by the repeated application of one and the same rule to pre-existing material and to the results thereby obtained. One of the most celebrated examples of recursive patterns are fractals, which can be used, say, to describe the abstract formation of a snowflake using a single rule.
In "Rekurs", sections of the work are recorded on tape and fed into the next section via loudspeakers. The tape recorder embodies the contradiction between technological progress and the fixed immutability of the recording – a contradiction that Finnendahl expounds and subsumes in his art, most notably in "Rekurs".
Rules and pre-existing material must first be transformed before they can produce connections – poetic or dramatic, for example – that catch the composer's interest. To quote Finnendahl himself, "Interpretation is made visible as contingent action on the part of the composer."

Content

Versatzstücke für Klavier solo und 6-Kanal-Zuspielung
Kommen und Gehen für Violine solo und 8-Kanal-Zuspielung
Rekurs für Altsaxofon, Schlagzeug, Klavier und Aufnahmegeräte
Fallstudien für Kammerensemble

More Information

Title:
Versatzstücke / Kommen und Gehen / Rekurs / Fallstudien
Publisher/Label:
Wergo
Duration:
65 ′49 ′′
Series:

Technical Details

Product number:
WER 65622
MAN EAN:
4010228656220
Weight:
0,11 kg

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German Music Council / Contemporary Music Edition
In its renowned Contemporary Music Edition the German Music Council set itself the task of creating a basic listening library of contemporary composition in Germany. The edition is distinguished by the high quality of the performances and of the accompanying texts. It includes recordings by renowned interpreters and ensembles, often under the direction of the composer; the carefully edited booklets present the composers and musicologists in analyses of the works and in aesthetic commentaries. For more information on the composers within the Contemporary Music Edition (including biographies, lists of works and audio samples), please click here.

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