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Description
In this composition Schneider uses the famous words from the liturgy for Good Friday: “Darkness fell, and on the ninth hour Jesus called out with a loud voice: My God, why hast Thou forsaken me?” Here he draws on the earlier form of the “trope”, using what was a common device in composition in medieval times, inserted into already completed works as a sort of commentary. In this sense - making use of the post-modern principle of
suggesting links across the ages - TENEBRAE makes reference to the motet “Tenebrae factae sunt” (Schott, C 51305) by Davide Perez (1711-1782), from which some melodic fragments have been taken and freely developed. An explosively contrived stylisation is set against the self-contained world of sound in the original piece.
A recording of this title is available on CD WER 62962.
suggesting links across the ages - TENEBRAE makes reference to the motet “Tenebrae factae sunt” (Schott, C 51305) by Davide Perez (1711-1782), from which some melodic fragments have been taken and freely developed. An explosively contrived stylisation is set against the self-contained world of sound in the original piece.
A recording of this title is available on CD WER 62962.
Content
Prima Pars: Tenebrae factae sunt (Finsternis wurde...)
Secunda Pars: Et circa horam nonam exclamavit Jesu voce magnam: Deus meus, Deus meus, utquid me derelequisti? (...und um die neunte Stunde rief Jesus mit lauter Stimme: Mein Gott, warum hast du mich verlassen?)
Tertia Pars: Et inclinato capite emisit spiritum (Er neigte sein Haupt und gab seinen Geist auf)
Quarta Pars: Exclamans Jesu voce magnam ait: Pater in manus tuas commendo spiritum meam (Jesus rief laut: Vater, in deine Hände befehle ich meinen Geist!)
Quinta Pars: Et inclinato capite emisit spiritum (Er neigte sein Haupt und gab seinen Geist auf.)
Secunda Pars: Et circa horam nonam exclamavit Jesu voce magnam: Deus meus, Deus meus, utquid me derelequisti? (...und um die neunte Stunde rief Jesus mit lauter Stimme: Mein Gott, warum hast du mich verlassen?)
Tertia Pars: Et inclinato capite emisit spiritum (Er neigte sein Haupt und gab seinen Geist auf)
Quarta Pars: Exclamans Jesu voce magnam ait: Pater in manus tuas commendo spiritum meam (Jesus rief laut: Vater, in deine Hände befehle ich meinen Geist!)
Quinta Pars: Et inclinato capite emisit spiritum (Er neigte sein Haupt und gab seinen Geist auf.)
More Information
Title:
Tenebrae
Tropus
Edition:
Score and parts, Score = Organ
Level of difficulty:
advanced
Publisher/Label:
Schott Music
Year of composition:
1990
Duration:
18 ′
Voice:
Sopran
World Premiere:
April 1, 1990 · München (D)
Kirche Mariä Himmelfahrt
Bettina Haubold, Sopran; Eckhart Hermann, Violine; Enjott Schneider, Orgel
Kirche Mariä Himmelfahrt
Bettina Haubold, Sopran; Eckhart Hermann, Violine; Enjott Schneider, Orgel
Series:
Technical Details
Product number:
ED 9668
ISMN13:
979-0-001-13565-8
Weight:
0,22 kg
Pages:
56
Format:
23.1cm x 30.3cm
Binding:
Saddle-wire stitching
More from this series
Edition Schott
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