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Sonate

für Violoncello und Klavier
Erstmals als Druckausgabe erhältlich, zeigen sich in dieser Cellosonate alle Charakteristika von Winterbergs Personalstil: tänzerische Energie, Polyrhythmik, inniges, unsentimentales Melos, subtiler Umgang mit folkloristischem Material und untrüglicher Sinn für Form und Balance.
Product number: BB 3810
As low as €23.99
Incl. Tax
Product Type
Print edition
E-score PDF

Product Details

Description

Hans Winterberg, born in Prague in 1901, lived through almost the entire period of the 20th century and was influenced as a composer by its most important artistic innovations. Already a brilliant pianist as an adolescent, he studied with Alois Hába and Alexander von Zemlinsky in Prague. Both his life and his music reflect the Austrian-Czech-Jewish cultural symbiosis; he saw himself as a bridge builder between Western and Eastern, i.e. Slavic, cultures. Owing to his Jewish ancestry, he was deported to the Terezin concentration camp after the annexation of Czechoslovakia by Nazi Germany. He was the only Jewish representative of the Czech musical avant-garde of the 1920s and 1930s to survive the Shoah and, in 1947, followed his non-Jewish wife and their daughter to the FRG in the course of the expulsion of the German-speaking population from Czechoslovakia. Winterberg's fascinating oeuvre, which was kept under lock and key in a German music archive for years after his death, is now being made accessible in first editions due to a cooperation between the Exilarte Center for Banned Music at the University of Music in Vienna and Boosey & Hawkes. The first printed edition is Winterberg's Cello Sonata, composed in 1951, in which all the characteristics of his unmistakable personal style come to the fore: dance-like energy, polyrhythm, intimate yet unsentimental melos, subtle handling of folkloristic material, and an unerring sense of form and balance. This work is of medium technical and great interpretative difficulty.

More Information

Title:
Sonate
für Violoncello und Klavier
Level of difficulty:
intermediate
Publisher/Label:
Bote & Bock
Year of composition:
1951
Series:
Title:
Sonate
für Violoncello und Klavier
Level of difficulty:
intermediate
Publisher/Label:
Bote & Bock
Year of composition:
1951
Series:
Title:
Sonate
für Violoncello und Klavier
Level of difficulty:
intermediate
Publisher/Label:
Bote & Bock
Year of composition:
1951
Series:

Technical Details

Product number:
BB 3810
ISMN13:
979-0-2025-3810-4
ISBN13:
978-3-7931-4507-3
Media Type:
2 Sheet music
Product number:
BB 3810
ISMN13:
979-0-2025-3810-4
ISBN13:
978-3-7931-4507-3
UPC:
196288194279
Weight:
0,2 kg
Pages:
48
Format:
23.1cm x 30.3cm
Binding:
Saddle-wire stitching
Manufacturer:
Boosey & Hawkes Bote & Bock GmbH
10969 Berlin
Germany
Media Type:
E-score PDF
Product number:
BB 3811 Q581395
ISMN13:
979-0-2025-3811-1
ISBN13:
978-3-7931-4508-0
Pages:
46
Format:
23.1cm x 30.3cm
File format:
(PDF / 1,47 MB)
Manufacturer:
Boosey & Hawkes Bote & Bock GmbH
10969 Berlin
Germany

Preview/Media Contents

Video:
Turning Points - Episode 2: Hans Winterberg
Video:
Turning Points - Episode 2: Hans Winterberg
Video:
Turning Points - Episode 2: Hans Winterberg

More from this series

Chamber Music Hans Winterberg

Hans Winterberg, born in 1901 into a Jewish family that had lived in Prague for centuries, studied with Alexander von Zemlinsky and Alois Hába. Until the annexation of Czechoslovakia by Nazi Germany in 1939, he worked as a conductor, pianist, and composer. Unlike his friends and colleagues Viktor Ullmann, Hans Krása, and Gideon Klein, he survived the Shoah through a series of miracles. In 1945, he moved to Munich, where he began a promising second career. As a representative of a moderate avant-garde, he found himself increasingly marginalized from the late 1960s onwards. After his death in 1991, his artistic estate was locked away in a German music archive and, since none of his works had been published during his lifetime, he was forgotten. Since 2023, Boosey & Hawkes has been publishing Winterberg's chamber music in an extraordinary edition project as first editions in cooperation with the Exilarte Research Center at the University of Music and Performing Arts Vienna. They reveal music of unique charm, in which influences from Janáček, the Second Viennese School, and French Impressionism are amalgamated into an original and exciting personal style.

Following the chamber music, the edition project will focus on the first editions of Winterberg's piano works and songs.

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