George Gershwin
Upcoming Performances
About George Gershwin
Early Career and Breakthrough
George Gershwin was born in Brooklyn, New York, the second of four children from a close-knit Russian Jewish immigrant family. At the age of 16, the young George quit school and began his musical career as a song-plugger on New York's Tin Pan Alley. He was soon writing his own songs and his first published work When You Want ‘Em, You Can't Get ‘Em, demonstrated innovative new songwriting techniques and earned him all of five dollars. Soon after, however, he met a young lyricist named Irving Ceaser and together they would compose a long list of popular songs including Swanee, which scored Gershwin his first big national hit. Swanee would be followed in short order by a series of nearly forty-five more songs; among them Somebody Loves Me and Stairway to Paradise, as well as the twenty-five-minute opera, Blue Monday. Composed in five days, Blue Monday, though a work of Gershwin juvenilia, offered hints of great musical development to come.
Collaboration with Ira Gershwin: From Broadway to Porgy and Bess
Gershwin's first collaboration with his brother, lyricist Ira Gershwin, produced the Broadway hit Lady Be Good which included such standards as Fascinating Rhythm and The Man I Love. It was the beginning of a partnership that would continue for the rest of the composer's life and would elevate the musical comedy to an American art form. Musicals including Oh, Kay! and Funny Face, starring Fred Astaire and his sister Adele, were created increasingly alongside more serious symphonic works as Gershwin aimed to make his mark in the concert world. Back on Broadway, George and Ira Gershwin continued to experiment with novel ideas and their hit show Of Thee I Sing dealt pointedly with social issues of the time, becoming the first musical comedy to win the Pulitzer Prize. This feat was soon followed by the premiere of Gershwin's folk opera and most ambitious work to date Porgy and Bess which had only moderate success. Now recognized as one of the seminal works of American opera, it includes such timeless favorites as It Ain't Necessarily So, I Loves You, Porgy, and Summertime.
Symphonic Works and Musical Style
Gershwin's jazz-influenced Rhapsody in Blue for piano and orchestra premiered in New York's Aeolian Hall at a concert entitled "An Experiment in Music" when the composer was still in his twenties. It would prove to be his most popular symphonic work. Among those in attendance at the premiere were Jascha Heifitz, Fritz Kreisler, Leopold Stokowski and Serge Rachmaninov. Gershwin followed this success with his Piano Concerto in F and the now legendary tone poem An American in Paris which he wrote during an extended stay in Paris. French music, in particular the composers Debussy and Ravel, would prove to have a lasting influence on Gershwin's classical music. Critics were often at a loss as to where to place Gershwin's classical music in the standard repertoire and some simply dismissed him, but the music always found favor with the general public. He was very soon widely acclaimed in the concert world as piano virtuoso, conductor, and composer.
Death
Shortly after the premiere of Porgy and Bess, Gershwin moved to Hollywood to score a series of successful films but while there became ill. At the time of his premature death at the age of 38, Gershwin had plans to return to New York and was contemplating work on a new symphony, opera, and ballet. These compositions were not to be. Today he remains one of America's, indeed one of the world's, most beloved composers.
Critical Edition
2023 marks the start of the the first scholarly critical edition of his works as part of the George and Ira Gershwin Critical Edition. It is the result of the Gershwin Initiative of the School of Music, Theatre & Dance at the University of Michigan in collaboration with the Gershwin Heirs Association and with support from the National Endowment for the Humanities, and published by Schott Music. Mark Clague is the editor-in-chief.
Worklist
Gallery
Products
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for piano and orchestraHire/performance materialHire/performance material
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for orchestraComposer: George GershwinArranger: Václav ZahradníkMedia Type: Hire/performance materialEdition: Performance materialInstrumentation: orchestraHire/performance materialHire/performance material
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for chorus and orchestraComposer: George GershwinArranger: Norman LeydenMedia Type: Hire/performance materialEdition: Performance materialLanguage: EnglishHire/performance materialHire/performance material
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for Brass QuintetComposer: George GershwinArranger: Zachary SmithMedia Type: Sheet musicEdition: Score and parts, Belwin Jazz Small EnsembleInstrumentation: Brass quintetProduct number: 00-41174Print editionPrint editionOut of stock€35.95Incl. Tax, Excl. Shipping
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for orchestraComposer: George GershwinArranger: Tony EspositoMedia Type: Hire/performance materialEdition: Performance materialHire/performance materialHire/performance material
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SwingComposer: George GershwinArranger: Dave WolpeMedia Type: Sheet musicEdition: Score and partsInstrumentation: big band and voiceLanguage: EnglishProduct number: FMA 326Print editionPrint editionIn stock€84.00Incl. Tax, Excl. Shipping
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for orchestraComposer: George GershwinArranger: Michael Tilson ThomasMedia Type: Hire/performance materialEdition: Performance materialHire/performance materialHire/performance material
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OvertureHire/performance materialHire/performance material
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OvertureComposer: George GershwinArranger: Robert McBrideMedia Type: Hire/performance materialEdition: Performance materialHire/performance materialHire/performance material
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OvertureComposer: George GershwinArranger: Don RoseMedia Type: Hire/performance materialEdition: Performance materialHire/performance materialHire/performance material
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'Wintergreen for President'Composer: George GershwinArranger: Robert McBrideMedia Type: Hire/performance materialEdition: Performance materialHire/performance materialHire/performance material
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SwingComposer: George GershwinArranger: Terry WhiteMedia Type: Sheet musicEdition: Score and partsInstrumentation: big band, flute, tuba, horn in F, 3 baritones ad libLanguage: EnglishProduct number: FMA 29793Print editionPrint editionOut of stock€56.00Incl. Tax, Excl. Shipping
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Selection for orchestraComposer: George GershwinArranger: Henry Marcellus HiggsMedia Type: Hire/performance materialEdition: Performance materialHire/performance materialHire/performance material
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Someone to Watch Over MeComposer: George GershwinMedia Type: Hire/performance materialEdition: Performance materialLanguage: EnglishHire/performance materialHire/performance material
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OvertureComposer: George GershwinArranger: Hilding AndersonMedia Type: Hire/performance materialEdition: Performance materialHire/performance materialHire/performance material
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OvertureComposer: George GershwinArranger: Don RoseMedia Type: Hire/performance materialEdition: Performance materialHire/performance materialHire/performance material
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Do, Do, DoComposer: George GershwinArranger: Russell WarnerMedia Type: Hire/performance materialEdition: Performance materialLanguage: EnglishHire/performance materialHire/performance material
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Someone to Watch Over MeComposer: George GershwinArranger: Hilding AndersonMedia Type: Hire/performance materialEdition: Performance materialLanguage: EnglishHire/performance materialHire/performance material
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from Lady, Be Good!Hire/performance materialHire/performance material
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From Lady, Be Good!Composer: George GershwinArranger: Morton GouldMedia Type: Hire/performance materialEdition: Performance materialHire/performance materialHire/performance material
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for orchestraComposer: George GershwinArranger: Gregory StoneMedia Type: Hire/performance materialEdition: Performance materialHire/performance materialHire/performance material
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My Cousin In MilwaukeeComposer: George GershwinMedia Type: Hire/performance materialEdition: Performance materialLanguage: EnglishHire/performance materialHire/performance material
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No. 19 from "An American in Paris" (Broadway version)Composer: George GershwinEditor: Rob FisherMedia Type: Hire/performance materialEdition: Performance materialInstrumentation: orchestraHire/performance materialHire/performance material
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Introduction and Summertime (opera version)Composer: George GershwinMedia Type: Hire/performance materialEdition: Performance materialLanguage: EnglishHire/performance materialHire/performance material
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An opera in three actsComposer: George GershwinEditor: Wayne D. ShirleyMedia Type: Hire/performance materialEdition: Performance materialLanguage: EnglishHire/performance materialHire/performance material
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SuiteComposer: George GershwinArranger: Heinz CzadekMedia Type: Sheet musicEdition: Score and partsInstrumentation: brass quintet (2 trumpets, horn, trombone, tuba)Product number: ADV 20000Print editionPrint editionIn stock€28.00Incl. Tax, Excl. Shipping
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Bess, You Is My Woman NowComposer: George GershwinArranger: Gert WildenMedia Type: Hire/performance materialEdition: Performance materialLanguage: German, EnglishHire/performance materialHire/performance material
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It Ain't Necessarily SoComposer: George GershwinArranger: Gert WildenMedia Type: Hire/performance materialEdition: Performance materialLanguage: German, EnglishHire/performance materialHire/performance material
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It Ain't Necessarily SoComposer: George GershwinMedia Type: Hire/performance materialEdition: Performance materialLanguage: EnglishHire/performance materialHire/performance material
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SummertimeComposer: George GershwinArranger: Robert Russell BennettMedia Type: Hire/performance materialEdition: Performance materialLanguage: EnglishHire/performance materialHire/performance material
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SummertimeComposer: George GershwinMedia Type: Hire/performance materialEdition: Performance materialLanguage: EnglishHire/performance materialHire/performance material
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SummertimeComposer: George GershwinMedia Type: Hire/performance materialEdition: Performance materialLanguage: EnglishHire/performance materialHire/performance material
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I Got Plenty O' Nuttin'Composer: George GershwinArranger: Gert WildenMedia Type: Hire/performance materialEdition: Performance materialLanguage: German, EnglishHire/performance materialHire/performance material
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Overture for soprano, alto, tenor, baritone and orchestraComposer: George GershwinMedia Type: Hire/performance materialEdition: Performance materialLanguage: EnglishHire/performance materialHire/performance material
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What You Want Wid Bess?Composer: George GershwinMedia Type: Hire/performance materialEdition: Performance materialLanguage: EnglishHire/performance materialHire/performance material
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Oh, I Can't Sit DownComposer: George GershwinMedia Type: Hire/performance materialEdition: Performance materialLanguage: EnglishHire/performance materialHire/performance material
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Oh, Doctor JesusComposer: George GershwinMedia Type: Hire/performance materialEdition: Performance materialLanguage: EnglishHire/performance materialHire/performance material
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Oh Bess, Where Is My Bess? (act III, scene III)Composer: George GershwinMedia Type: Hire/performance materialEdition: Performance materialLanguage: EnglishHire/performance materialHire/performance material
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Leavin' for the Promise' Lan'Composer: George GershwinMedia Type: Hire/performance materialEdition: Performance materialLanguage: EnglishHire/performance materialHire/performance material
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I Loves You, PorgyComposer: George GershwinArranger: Robert Russell BennettMedia Type: Hire/performance materialEdition: Performance materialLanguage: EnglishHire/performance materialHire/performance material
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Clara, Clara (act III, scene I)Composer: George GershwinMedia Type: Hire/performance materialEdition: Performance materialLanguage: EnglishHire/performance materialHire/performance material
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Concert version by Andrew LittonComposer: George GershwinArranger: Andrew LittonMedia Type: Hire/performance materialEdition: Performance materialHire/performance materialHire/performance material
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Orchestral selectionComposer: George GershwinArranger: Felton RapleyMedia Type: Hire/performance materialEdition: Performance materialHire/performance materialHire/performance material
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Selection for orchestraComposer: George GershwinArranger: Robert Russell BennettMedia Type: Hire/performance materialEdition: Performance materialHire/performance materialHire/performance material
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Symphonic suiteComposer: George GershwinArranger: Robert FarnonMedia Type: Hire/performance materialEdition: Performance materialHire/performance materialHire/performance material
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Symphonic picture for orchestraComposer: George GershwinArranger: Robert Russell BennettMedia Type: Hire/performance materialEdition: Performance materialHire/performance materialHire/performance material
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Suite for orchestraComposer: George GershwinArranger: Morton GouldMedia Type: Hire/performance materialEdition: Performance materialHire/performance materialHire/performance material
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A Concert of SongsComposer: George GershwinArranger: Robert Russell BennettMedia Type: Hire/performance materialEdition: Performance materialLanguage: EnglishHire/performance materialHire/performance material
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SummertimeComposer: George GershwinArranger: Gert WildenMedia Type: Hire/performance materialEdition: Performance materialLanguage: EnglishHire/performance materialHire/performance material
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SummertimeComposer: George GershwinArranger: Gert WildenMedia Type: Hire/performance materialEdition: Performance materialLanguage: EnglishHire/performance materialHire/performance material