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A setting of one of the seven O Antiphons, O Adonai, is built upon an ostinato figure on a single note which starts and ends the composition, initially using the words of the title. Acting as a drone which is expanded within the texture, this musical idea is inspired by the act of prayer, mirroring the words of this antiphon which ask for redemption.
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More from this series
The Boosey & Hawkes Contemporary Choral Series combines music from well-established figures such as James MacMillan, Karl Jenkins, and Einojuhani Rautavaara and the finest emerging choral composers of our time including Thomas Hewitt Jones, Joseph Phibbs, Will Todd and Gareth Treseder.
Diverse in terms of theme and mood, with works suitable for a variety of festive and commemorative occasions, both sacred and secular, this series provides an exciting collection of contemporary works for choirs of all types, voicings and abilities.
Spanning many different styles including the jazz-influenced world of Will Todd’s Jazz Carols and Iain Farrington’s The Blues Service, the tranquil beauty of James MacMillan’s Ave Maris Stella, and the energetic jubilation of Gareth Treseder’s Blessed be that Maid Marie, the series provides a wealth of new music, perfect for choirs looking to expand their horizons and explore new repertoire.