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Carmen
Opéra-comique in vier Akten
nach der Novelle von Prosper Mérimée von Henri Meilhac und Ludovic Halévy
Product Details
Description
When the curtain rose for the first performance of the new critical edition of Georges Bizet's masterpiece at the Frankfurt Opera on 7 March 1992, it represented a milestone in the perception of this opera, one of the most frequently performed in the international repertoire.
Editor Robert Didion and translator Joseph Heinzelmann have solved the basic textual issues that have dogged the opera since its inception. After exact philological analyses of all available manuscript sources, especially the piano score and the printed editions of the libretto published under the original authors' supervision, they have put together a correct text of the work which has all later additions and omissions eliminated and 'corresponds to the version which the opera came up with in the wake of its first scenic rehearsals and which was the only one sanctioned by the authors, by the composer as well as by the librettists' [quoted from the preface of the score].
Since then, this critical edition of Carmen has become the established performance reference throughout the world, with a large number of stage productions.
Editor Robert Didion and translator Joseph Heinzelmann have solved the basic textual issues that have dogged the opera since its inception. After exact philological analyses of all available manuscript sources, especially the piano score and the printed editions of the libretto published under the original authors' supervision, they have put together a correct text of the work which has all later additions and omissions eliminated and 'corresponds to the version which the opera came up with in the wake of its first scenic rehearsals and which was the only one sanctioned by the authors, by the composer as well as by the librettists' [quoted from the preface of the score].
Since then, this critical edition of Carmen has become the established performance reference throughout the world, with a large number of stage productions.
Orchestral Cast
2 (beide auch Picc.) · 2 (2. auch Engl. Hr.) · 2 · 2 - 4 · 2 (Pistons) · 3 · 0 - P. S. (Trgl. · Beck. · Tamb. · kl. Tr. · gr. Tr. · Kast.) (2 Spieler) - Hfe. - Str. -
Bühnenmusik: 2 Pistons · 2 Pos.
Bühnenmusik: 2 Pistons · 2 Pos.
Cast
Don José · Tenor - Escamillo · Bariton - Dancaïro · Tenor - Remendado · Tenor - Morales, Brigadier · Bariton - Zuniga, Leutnant · Tenor - Carmen · Mezzosopran - Micaëla · Sopran - Mercedes · Sopran - Frasquita · Sopran - Eine Orangenverkäuferin · Sopran - Ein Zigeuner · Bass - Lillas Pastia, Wirt · Sprechrolle - Ein Führer · Sprechrolle - Ein Soldat · Sprechrolle - Ein alter Herr, seine junge Frau, ein junger Mann, der Alcade · stumme Rollen - Soldaten, junge Männer, Männer aus dem Volk, Zigarrenarbeiterinnen, Zigeunerinnen, Zigeuner, fliegende Händler etc. · Chor - Gassenjungen · Kinderchor
More Information
Title:
Carmen
Opéra-comique in vier Akten
nach der Novelle von Prosper Mérimée von Henri Meilhac und Ludovic Halévy
Deutsch von Josef Heinzelmann
kritisch herausgegeben von Robert Didion
Language:
French
Edition:
Performance material
Publisher/Label:
Schott Music
Year of composition:
1875
Duration:
170 ′0 ′′
World Premiere:
March 7, 1992 · Frankfurt am Main (D)
Oper
Conductor: Oleg Caetani
Original staging: Georges Delnon · Costumes: Yoshio Yabara · Set design: Werner Hutterli
(scenic) (First performance with the performance material based on the new critical edition by Robert Didion and Josef Heinzelmann)
Oper
Conductor: Oleg Caetani
Original staging: Georges Delnon · Costumes: Yoshio Yabara · Set design: Werner Hutterli
(scenic) (First performance with the performance material based on the new critical edition by Robert Didion and Josef Heinzelmann)
Series:
Technical Details
Media Type:
Hire/performance material
Product number:
LS 983-01
Delivery rights:
Worldwide
Manufacturer:
Persons
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