• Joy of Music – Over 250 years of quality, innovation, and tradition

Tagged with 'Berlin'

Work of the Week – Gerd Natschinski: Messeschlager Gisela

A witty play about fashion and mutual appreciation: Messeschlager Gisela (“Trade Fair Sensation Gisela”) by Gerd Natschinski celebrates its premiere at the Komische Oper Berlin on 8 June 2024. The operetta can be seen in the tent at the Rotes Rathaus. The witty production is by Axel Ranisch, with Adam Benzwi as musical director. The title role of Gisela is played by the well-known satire artist Gisa Flake. 

Read more

Work of the Week – Peter Eötvös: Harp Concerto

A new concerto for a celebration: Peter Eötvös's 80th birthday will be celebrated with a symposium and gala concert in Paris next weekend. Among other works by the Hungarian composer, his new Harp Concerto will see its world premiere. Eötvös wrote the concerto for harp and orchestra for the virtuoso Xavier de Maistre (pictured), who will perform it for the first time on 18 January with the Orchestre Philharmonique de Radio France conducted by Gergely Madaras at the Maison de le Radio et de la Musique.

Read more

Work of the Week – Hans Werner Henze: Das Floß der Medusa

Shipwreck at the airport: Hans Werner Henze's oratorio Das Floß der Medusa (‘The Raft of the Medusa’) opens the new season at the Komische Oper Berlin. In Hangar 1 of Tempelhof Airport, Tobias Kratzer stages the great question of humanity, which revolves around the calculated drowning of underprivileged people on the high seas. The premiere will take place on September 16, 2023 under the musical direction of Titus Engel.

Read more

Work of the Week – Toshio Hosokawa: Prayer

With Toshio Hosokawa’s new violin concerto Prayer, the composer reflects on the passing of modern events and their overall influence on the life of the soul. The piece is dedicated to world renowned soloist Daishin Kashimoto who will perform it for the first time on 02 March 2023 with the Berliner Philharmoniker under the baton of Paavo Järvi at the Philharmonie Berlin.

Read more

Work of the Week – Jörg Widmann: Zeitensprünge

The Staatskappelle Berlin celebrates its impressive history as it marks its 450th anniversary this year. The earliest sources mentioning the orchestra date from 1570. On 11 September, the world premiere of a new work by Jörg Widmann commissioned specially for the occasion, Zeitensprünge (Leaps in time), will be given in a concert conducted by Daniel Barenboim at the Berlin State Opera House. 

The title Zeitensprünge is a pun about musical time-travel and stylistic escapades. Widmann explores the multiple stylistic periods through which the orchestra has lived during its long history, with the opening bars featuring an off-stage ensemble playing renaissance dances. Only when the musicians enter the stage does the idea of conducting start to take form, and a concert of today’s understanding commences. 

Jörg Widmann – Zeitensprünge: A Concerto for Orchestra in a nutshell


Though Zeitensprünge is a condensed 10-minute orchestral work of only 450 bars (one for each year of the Staatskapelle´s history), it nevertheless has everything a full-scale Concerto for Orchestra needs. There are solos from nearly every section of the orchestra, ensembles such as fanfares emerge from the texture, medieval winds and consorts play next to each other, and Widmann uses a variety of musical forms to lead to a brilliant final canon that symbolises many becoming one. 
“When I sit in front of a sheet of manuscript paper, I don’t keep thinking ‘you have to invent something new’. Not at all. My head is full of harmonies, connections and combinations that have never been heard before. My problem is to find forms for them. I am now in a stage of fighting to find these new forms.” - Jörg Widmann 


Photos:Marco Borggrve, Adobe Stock / spuno

Work of the Week – Christian Jost: Concerto noir redux

2020 is the 200th anniversary of the Berlin Konzerthaus, a concert hall that started life as a theatre. In celebration of this anniversary as part of Musikfest Berlin, Christian Tetzlaff will perform the world premiere of a new violin concerto by Christian Jost on 6 September. The concerto, entitled Concerto noir redux, will be accompanied by Konzerthausorchester Berlin and conducted by Christoph Eschenbach. 

Concerto noir redux was originally intended to bear the same title as his opera Journey of Hope - Voyage of Despair. However, after the cancellation of the original premiere in March 2020, Jost chose instead to make changes to the music in response to recent events.

Christian Jost – Concerto noir redux: music from the lockdown


The result was not only a smaller orchestra, necessitated by social distancing, but a work that expresses a darker character and soundworld. Concerto noir redux is now one of two versions of the work Concerto noir, each with the same solo part.

Usually, I compose with a clear idea of the musical structure and of the sounds, and therefore of the course of the resulting work. But this time it was different. There was an initial thought for the opening in which the solo violin gradually separates from unison with the first violins. From this starting point the work should virtually compose itself. The resulting single-movement concerto with a single tempo (quarter = 76 espressivo) is driven by rhythmic ‘cells’. I completed the composition more or less simultaneously with the end of the lockdown, and since this had given rise to a work with predominantly dark shades of colour and sound, I considered Concerto noir to be a perfect title. Christian Jost

Photos: Adobe Stock / lakkot, Joe Quiao