John Kember


Accompanying his most recent series of publications for Schott Music, John Kember will be concentrating his workshops on the art of sight-reading.

John has worked in education throughout his career as a composer, arranger, pianist and conductor; he has a busy private teaching practice in south-east London and tutors students for Kent Music and the Kent Music Academy in Maidstone. Having worked as an examiner for the Associated Board of the Royal Schools of Music for the past sixteen years, John believes in the importance of establishing the habit of regular sight-reading early in a student’s learning process.

His workshops are aimed at helping teachers to instill this message into their students! The Sight-Reading series, which presents sight-reading as an essential skill rather than merely an examination necessity, is available for piano, voice, and wind and string instruments.

Suitable for

Peripatetic teachers of any instrument

Facilities required

No specific facilities required (forum format)

Duration

Between 1 hour and half day

No. of participants

Up to twenty

Publications used

Piano Sight-Reading 1 & 2 & 3
Sight-Singing 1 & 2
Flute Sight-Reading 1 & 2
Violin Sight-Reading 1 & 2
Viola Sight-Reading 1 & 2
Saxophone Sight-Reading 1
Cello Sight-reading 1 & 2
Clarinet Sight-Reading 1 & 2
Oboe Sight-Reading 1
Recorder Sight-Reading 1
Guitar Sight-Reading 1


Piano Sight-Reading 2: ‘As with all of Kember’s things, this is impeccable, attractive
and on-the-button’.

Piano Magazine

Clarinet Sight-Reading 2: 'The material is very well written and is brilliantly organised, providing students and teachers with an invaluable tool for developing this most important facet of musicianship.'
Sheet Music Review

Flute Sight-Reading 1 & 2: 'The examples are musically varied and pleasing, and satisfying to play.'
Music Teacher

Author



John Kember
studied at Trinity College of Music, London and has enjoyed a varied career in both performing and academic spheres, ranging from teaching in schools and privately, to working as composer, arranger, pianist and conductor in Concert Halls, theatres and recording studios...more