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Description

Description

The interpretation of contrapuntal music makes particular demands on the pianist. Surprisingly there are very few collections which deal systematically with this important theme. In these two books Fritz Emonts has written a kind of 'Method of Contrapuntal Piano Playing' which may accompany piano tuition over a period of several years. Book 1 begins with easier pieces from the repertoire (ostinato forms, canons, pieces with walking bass) and takes us through easy dance movements up to the Inventions by J. S. Bach. Book 2 offers a selection of repertoire on a rather higher level, from Baroque to Romantic. The pieces are grouped systematically, to distinguish three ways in which parts are distributed:
1 Two Parts in the right hand, one in the left;
2 Two Parts in the left hand, one in the right;
3 Examples in which the middle part is divided between the hands.

Content

J. C. F. Bach: Trio
J. S. Bach: Praeludium
J. S. Bach: Anglaise
J. S. Bach: Sarabande
J. S. Bach: Choral 'Wer nur den lieben Gott lässt walten'
J. S. Bach: Sinfonia
J. Duphly: Rondeau
G. F. Händel: Fughette
G. F. Händel: Two variations on an aria
G. F. Händel: Gigue
G. F. Händel: Sarabande
J. N. Hummel: Air Russe
J. Kuhnau: Sarabande
W. A. Mozart: Courante
J. Pachelbel: Variation on 'Werde munter, mein Gemüte'
R. Schumann: Tune in canon
J. G. Walther: Choral 'Mach's mit mir Gott, nach deiner Güth'
F. W. Zachow: Choralpräludium 'Vom Himmel hoch'

Other editions

ED 5451 = Vol. 1