Born: April 28th, 1952
Country of origin: Ireland
Conductor: Thomas Adès
June 11th, 2014 | Symphony Hall - Birmingham - United Kingdom
Conductor: Thomas Adès
June 22nd, 2014 | Aldeburgh - United Kingdom
The world now has something rare: a new genuinely comic opera and maybe the most inventive Oscar Wilde opera since Richard Strauss' Salome more than a century ago. The Los Angeles Times on The Importance of Being Earnest (2012)
Gerald Barry was born in Ireland in 1952 and after attending University College Dublin went to Amsterdam and later Cologne to continue his studies. His time in Germany, where he studied with Stockhausen and Kagel, proved to be a liberating experience and he soon came to public attention in 1979 with radical ensemble works “________” and Ø.
Barry has received number commissioned by the BBC, including Chevaux-de-frise for the Ulster Orchestra at the 1988 Proms, given its Russian première by the Mariinsky Orchestra in 2007; The Conquest of Ireland, given its German première by the Bavarian RSO in 1998; Day for the BBC Symphony Orchestra; The Eternal Recurrence, a setting of Nietzsche for voice and orchestra; and Hard D for the Orkest de Volharding.
Barry’s first opera The Intelligence Park (recorded on NMC), was commissioned by the ICA and first performed at the 1990 Almeida Festival. A second opera, The Triumph of Beauty and Deceit, written for Channel 4 Television, opened the 2002 Aldeburgh Festival, followed by performances in London and the Berliner Festwochen conducted by Thomas Adés. A new staging took place earlier this year at the Badisches Staatstheater Karlsruhe. The Bitter Tears of Petra von Kant was given in 2005 at English National Opera and in 2008 at the Basle Opera. La Plus Forte, a one-act opera on the Strindberg play, was commissioned by Radio France for the 2007 Festival Présences. Sung by Barbara Hannigan, it toured to Amsterdam, London, Dublin, Miami and Toronto.
Barry has enjoyed a long association with the Birmingham Contemporary Music Group, for whom he wrote Wiener Blut, Dead March and Beethoven. God Save The Queen for choir and ensemble was commissioned for the London Sinfonietta by London's South Bank Centre on the fiftieth birthday of the Royal Festival Hall in 2001.
Recent chamber works include Le Vieux Sourd for piano, commissioned by Betty Freeman, Feldmans Six-Penny Editions for the London Sinfonietta and Saint Paul Chamber Orchestra, and No people. for Ensemble 7Bridges.
His most recent opera, The Importance of Being Earnest, was jointly commissioned by the LA Philharmonic and the Barbican in London, and received its world premiere staging at Opéra national de Lorraine – Nancy this year. A further production was staged at the Royal Opera House Linbury Theatre in June, and it will tour with Northern Ireland Opera this autumn. Earnest received a 2013 RPS Award for Large-Scale Composition and a recording will be released on NMC.
Barry is currently working on a Piano Concerto co-commissioned by Musica Viva, Munich, and City of Birmingham Symphony Orchestra to be premiered in November.
His music has been recorded on the NMC, Largo, Black Box, Marco Polo, BVHaast and RTE labels.
The Gerald Barry catalogue is being transferred from Oxford University Press to Schott Music over a period of two years from 1 October 2013. Individual works will be listed on Schott Music’s website once they have been transferred. Please contact email@example.com or firstname.lastname@example.org for further information.