… in the Canti Trilogy… Rands unspools a shining thread to guide us and keep us safe. Still another pleasure is the alluring sensuousness of surface Rands stretches over troubling depths. The composer has an extraordinary ear; the sonorities and ideas are deep, dark and magical.
—The Boston Globe

Through more than a hundred published works and many recordings, Bernard Rands is established as a major figure in contemporary music. His work Canti del Sole, premièred by Paul Sperry, Zubin Mehta and the New York Philharmonic, won the 1984 Pulitzer Prize in Music. His large orchestral suites Le Tambourin won the 1986 Kennedy Center Friedheim Award. Conductors including Barenboim, Boulez, Berio, Maderna, Marriner, Mehta, Muti, Ozawa, Rilling, Salonen, Sawallisch, Schiff, Schuller, Schwarz, Silverstein, Sinopoli, Slatkin, von Dohnanyi, and Zinman, among others, have programmed his music.

The originality and distinctive character of his music have been variously described as ‘plangent lyricism’ with a ‘dramatic intensity’ and a ‘musicality and clarity of idea allied to a sophisticated and elegant technical mastery’ - qualities developed from his studies with Dallapiccola and Berio.


Recent commissions have come from the Suntory concert hall in Tokyo; the New York Philharmonic; Carnegie Hall; the Boston Symphony Orchestra; the Cincinnati Symphony; the Los Angeles Philharmonic; the Philadelphia Orchestra; the B. B. C. Symphony Orchestra; the National Symphony Orchestra; the Internationale Bach Akademie; the Eastman Wind Ensemble and the Chicago Symphony Orchestra. Many chamber works have resulted from commissions from major ensembles and festivals from around the world. His chamber opera, Belladonna, was commissioned by the Aspen Festival for its fiftieth anniversary in 1999.