Schott Music - Shop - Hire Material - Catalogue of Stage Works - Opera

Opera

Spieloper

composer: Paul Hindemith
librettist: Paul Hindemith

Oper in sieben Bildern

Text von Paul Hindemith

Premiere: 28. Mai 1938 Stadttheater Zürich · Dirigent: Robert F. Denzler · Inszenierung: Karl Schmid-Bloss und Hans Zimmermann · Bühnenbild:Roman Clemens
Orchestra instrumentation: 2 (beide auch Picc.) · 2 · 2 · 2 - 4 · 2 · 3 · 1 - P. S. (Trgl. · Gl. [Es] · hg. Beck · Beckenpaar · Tamt. · Tamb. · Rührtr. · Holztr. · kl. Tr. · gr. Tr. · Kast.) (3 Spieler) - Str. Bühnenmusik (im vierten Bild): 3 Tromp. · Gl.
Cast of characters: Albrecht von Brandenburg, Kardinal, Erzbischof von Mainz · Tenor - Mathis, Maler in seinen Diensten · Bariton - Lorenz von Pommersfelden, Domdechant von Mainz · Bass - Wolfgang Capito, Rat des Kardinals · Tenor - Riedinger, ein reicher Mainzer Bürger · Bass - Hans Schwalb, Führer der aufständischen Bauern · Tenor - Truchsess von Waldburg, Befehlshaber des Bundesheeres · Bass - Sylvester von Schaumberg, einer seiner Offiziere · Tenor - Der Graf von Helfenstein · stumme Rolle - Der Pfeifer des Grafen · Tenor - Ursula, Riedingers Tochter · Sopran - Regina, Schwalbs Tochter · Sopran - Gräfin Helfenstein · Alt - Chor
Duration: 180' 0''
Year of composition: (1934-35)
Material on hire

Description:

At first, Paul Hindemith had been sceptical about his publisher’s suggestion to turn the life story of the painter Mathis Gothart Nithart (ca. 1480-1528), known under the name of Matthias Gruenewald, into an opera. But he skilfully interwove the artist’s biography with the social and religious battles of the time of the Peasants’ War into his libretto. Mathis’ struggle for artistic autonomy in a politically charged present has often been interpreted as an expression of Hindemith’s own situation in National Socialist Germany.
While he worked on the opera Mathis der Maler, Hindemith was commissioned by Wilhelm Furtwängler and the Berlin Philharmonic Opera to write an orchestral work. He put three of the orchestral interludes together to form the Symphony ‘Mathis der Maler’. Like the seven tableaux of the dramatic work, these movements refer to engravings from Grünewald’s masterpiece, the Isenheim Altar: Engelkonzert (Angel Concert), Grablegung (Entombment), Versuchung des heiligen Antonius (Temptation of Saint Anthony).

Further information to this edition:
Pressestimmen zur Premiere im September 2005, Hamburgische Staatsoper (PDF)

Recordings:

Mathis der Maler (2007)

Paul Hindemith

Mathis der Maler

Falk Struckmann · Scott MacAllister · Susan Anthony · Inga Kalna · Pär Lindskog · Chor der Staatsoper Hamburg · Philharmoniker Hamburg · Simone Young
OEHMSCLASSICS OC 908
Order placement (partner shop)

Performances:
Show past performances

Search here

Basket

There are currently no products in the basket.

Go to basket

Advanced Search

If you still have not found what you were looking for
try our
Advanced Search

Help

Further questions?

Have a look at our help section for answers to the most frequently asked questions.