Trionfi. Trittico teatrale
composer: Carl Orff
interpreter: Fritz Walther-Lindqvist - Elisabeth Krämer - Susan Roberts - Lisa Griffith - Ulrich Ress - Thomas Mohr - Karl Rarichs - Alois Ickstadt - Thomas Dewald
booklet writer: Paul Bartholomai
choir: Children's Choir Frankfurt Kinderchor Frankfurt - Children's Choir of the Goethegymnasium Frankfurt Kinderchor des Goethegymnasiums Frankfurt - Caecilienchor - Figuralchor Frankfurt - Frankfurter Kantorei - Frankfurter Singakademie
chorus master: Alois Ickstadt - Karl Rarichs - Christian Kabitz - Peter Ickstadt - Gerhardt Roth - Wolfgang Schaefer
conductor: Muhai Tang - Wolfgang Schaefer
orchestra/ensemble: Royal Flemish Philharmonic of Antwerpen
Carmina Burana / Catulli Carmina / Trionfo di Afrodite
Publisher: Wergo
Edition: 3 CDs
Order number: WER 62752
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Description
On the occasion of his 100th birthday on July 10, 1995 WERGO has published Carl Orff's "TRIONFI" which consists of the three works "Carmina Burana", "Catulli Carmina" and "Trionfi di Afrodite".
"Carmina Burana" was the first work that could bring Orff's intentions and desires, which had until that point existed pluralistically side by side, into a tonality - the search for compact, elementary forms of expression, the joy in the discovery and revitalization of old, longforgotten arts, and finally the tendency toward drama, theater, to the action on stage.
For his setting of "Catulli Carmina" (Songs of Catullus), Orff was inspired by the famous distich "Odi et amo". He called the structure of the work a "double puzzle play between youth and old age, Eros and Sexus".
In the third part, "Trionfo di Afrodite" (Triumph of Aphrodite), the scene shows the cultic ritual of a marriage celebration in an imaginary world of antiquity, without any more specific gographical or temporal indications.
Though "Carmina Burana" is among the most performed stage works of our time, and concert performances are too numerous to count, the "Catulli Carmina" is encountered far less often, usually in combination with the more popular "Carmina Burana". The third part of the cycle is still a rarity. This is even more true of complete performances of "TRIONFI", a cycle that came into being over a period of two decades, and which attempts to conjure up a thousand-year-old unity of European musical theater.
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