Lee Hoiby, born in Wisconsin in 1926, is one of America's most prominent composers of works for the lyric stage. He was introduced to opera by his teacher at the Curtis Institute of Music, Gian Carlo Menotti, who involved him closely in the famed Broadway productions of The Consul and The Saint of Bleecker Street. Hoiby's first opera, The Scarf, a chamber opera in one-act, was recognized by Time Magazine and the Italian press as the hit of the first Spoleto (Italy) Festival. His next opera, Natalia Petrovna (New York City Opera), now known in its revised version as A Month in the Country, was universally praised by the press at its premiere, the closing octet called a work "of overwhelming beauty, a supreme moment in opera comparable to the Meistersinger quintet and the Rosenkavalier trio." Hoiby's setting of Tennessee Williams's Summer and Smoke (with libretto by Lanford Wilson) was declared "the finest American opera to date" following its world premiere. The 40th anniversary of the debut of this landmark American opera occurs in 2011. His most recent opera is a setting of Romeo and Juliet (2004), which awaits its world premiere.

A pianistic child prodigy, Hoiby's earliest influences included several powerful musical personalities representing numerous strains of the 20th-century avant-garde. Among them was the renowned Pro Arte Quartet, led by Rudolf Kolisch, Arnold Schoenberg's son-in-law. Ironically, they pierced Hoiby not with their dodecaphonic fervor, but with their echt central-European musical traditions. During the period immediately following WWII, he also performed in Harry Partch's Dadaist ensembles, studied with Darius Milhaud at Mills College and pursued a virtuoso career as a concert pianist under the eminent tutelage of Gunnar Johansen and Egon Petri.

Hoiby spoke recently about his long life of composing: "For me, composing music bears some likeness to archeology. It requires patient digging, searching for the treasure; the ability to distinguish between a treasure and the rock next to it and recognizing when you're digging in the wrong place. The archeologist takes a soft brush and brushes away a half-teaspoon at a time. Musically, that would be a few notes, or a chord. Sometimes the brushing reveals an especially lovely thing, buried there for so long."

Among Mr. Hoiby’s other operatic works now available from Schott are the one-act opera buffa Something New for the Zoo (1979), the musical monologue The Italian Lesson (1981, text by Ruth Draper) which was produced off-Broadway in 1989 with Jean Stapleton, and a one-act chamber opera, This Is the Rill Speaking (1992, text by Lanford Wilson). Hoiby has also created a suite of "animal portraits", Rain Forest, on prose poems of Elizabeth Bishop for the Santa Fe Chamber Music Festival and has recently continued his work with Bishop’s poetry in a new chamber work with scenario by Mark Shulgasser for mezzo-soprano, baritone, piano and instrumental ensemble lasting approximately one hour. The work-in-progress has been commissioned by American Opera Projects and an excerpt from the piece received its first reading in New York at New York City Opera's “VOX: Showcasing American Opera” program in May 2006.

Hoiby is without a doubt one of the greatest living song composers of our time and his immense contribution to the song repertoire (nearly 100 songs) is recognized by singers worldwide. The great American soprano Leontyne Price introduced many of his best known songs and arias to the public. His musical idiom is a grateful acceptance of the rich legacy of melodic homophony, embracing references from Monteverdi to American blues without sounding eclectic or piecemeal. "What I learned from Schubert," Hoiby comments "came from a long, deep and loving exposure to his songs. A lot happens on a subconscious level, so it's hard to verbalize, but what I think his songs taught me have to do primarily with the line, the phrasing, the tessitura, the accentuations of speech, the careful consideration of vowels, the breathing required, and an extremely economical use of accompaniment material, often the same figure going through the whole song." Hoiby’s choral music is widely performed throughout the USA and in Great Britain. Indeed, some of his most important works are in that form, including the Christmas cantata A Hymn of the Nativity (text by Richard Crashaw), the oratorio Galileo Galilei (libretto by Barrie Stavis), and a substantial group of works for chorus and orchestra on texts of Walt Whitman.

Hoiby's music can be heard on virtually every major record label. The Manhattan School of Music Opera Theater recently revived Hoiby's opera A Month in the Country and recorded it for Albany Records in 2005. Among the many distinguished artists and organizations that have commissioned him are New York City Opera, the Spoleto Festival, Santa Fe Chamber Music Festival, American Opera Projects, The Washington Cathedral, Choral Arts Society of Washington, The Verdehr Trio, Dorian Wind Quintet, Ames Piano Quartet, Phyllis Brun-Julsson, the Richard Tucker Foundation, Yale University Institute of Sacred Music, American Guild of Organists, Mercersburg College, and Cantus. Lee Hoiby’s works have been recognized by awards and grants from the Guggenheim Foundation, the National Institute of Arts and Letters, the Ford Foundation, the Fulbright Commission and the National Endowment for the Arts.